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The Woman in the Yard

2025 · 88 min · Director: Jaume Collet-Serra ★ IMDb 5 · 22,907 ratings

Show plot summary (may contain spoilers)

A mysterious woman repeatedly appears in a family's front yard, often delivering chilling warnings and unsettling messages, leaving them to question her identity, motives and the potential danger she might pose.

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Emotional fingerprint

The Woman in the Yard (2025) — Movie. Top emotional signals: Fear 35%, Anxiety 25%, Disturbing 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Fear35%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Fear, Anxiety, Disturbing. Genres: Thriller, Drama, Horror. AI estimate.

Is it worth watching?

Consider this title if you are looking for Fear, Anxiety and Disturbing. Its IMDb rating of 5.0/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 56/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Fear
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Sadness

Dominant emotion: Tension

Dominant emotion: Fear

Dominant emotion: Disturbing

Dominant emotion: Relief

Tension
Fear
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 8 %, then rises around 18 %, then peaks around 83 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionFearSadness
2.5 %≈ 2′Not enough subtitle evidence28 %8 %1 %6 %
7.5 %≈ 7′Not enough subtitle evidence28 %12 %2 %7 %
12.5 %≈ 11′Sadness38 %29 %13 %11 %
17.5 %≈ 15′Tension57 %53 %35 %13 %
22.5 %≈ 20′Tension67 %64 %48 %13 %
27.5 %≈ 24′Tension61 %60 %43 %13 %
32.5 %≈ 29′Tension53 %51 %32 %14 %
37.5 %≈ 33′Tension53 %49 %24 %26 %
42.5 %≈ 37′Sadness63 %55 %26 %46 %
47.5 %≈ 42′Tension75 %69 %44 %50 %
52.5 %≈ 46′Tension79 %75 %52 %47 %
57.5 %≈ 51′Sadness79 %73 %52 %50 %
62.5 %≈ 55′Tension85 %81 %71 %40 %
67.5 %≈ 59′Fear86 %83 %77 %34 %
72.5 %≈ 64′Tension80 %76 %66 %45 %
77.5 %≈ 68′Disturbing83 %78 %66 %54 %
82.5 %≈ 73′Tension88 %82 %68 %67 %
87.5 %≈ 77′Sadness87 %65 %52 %63 %
92.5 %≈ 81′Relief79 %34 %25 %46 %
97.5 %≈ 86′Sadness70 %21 %13 %48 %
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

0 responses so far

Feeling details appear after at least 3 viewers respond, to protect privacy.

Cast

OO
Okwui Okpokwasili

OO
Okwui Okpokwasili

Woman

PJ
Peyton Jackson

EK
Estella Kahiha

Annie

CP
Chad Pitter

Taylor (adult) (uncredited)

Details

Directed by
Jaume Collet-Serra
Written by
Sam Stefanak
Type
Movies
Released
2025
Runtime
88 min
Country
United States
Ratings
★ IMDb 5 · 22,907 ratings
Feels mostly
Fear
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.