Un ours dans le Jura
2024 · 113 min · Director: Franck Dubosc
Show plot summary (may contain spoilers)
Michael and Cathy accidentally witness a triple murder in the woods on Christmas Eve. A bag with two million euros and a pistol falls into their hands. In order to throw off suspicion, they are ready to accept the craziest ideas, ...
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Emotional fingerprint
Un ours dans le Jura (2024) — Movie. Top emotional signals: Humor 30%, Tension 25%, Surprise 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Tension25%
- Surprise20%
- Anxiety15%
- Excitement10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Tension, Surprise. Genres: Thriller, Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Tension and Surprise. Its IMDb rating of 6.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Humor
- Surprise
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Surprise
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Humor | Surprise |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 52 % | 47 % | 22 % | 37 % |
| 7.5 % | ≈ 8′ | Surprise | 51 % | 39 % | 36 % | 36 % |
| 12.5 % | ≈ 14′ | Humor | 53 % | 36 % | 49 % | 28 % |
| 17.5 % | ≈ 20′ | Humor | 56 % | 45 % | 54 % | 21 % |
| 22.5 % | ≈ 25′ | Humor | 57 % | 45 % | 56 % | 19 % |
| 27.5 % | ≈ 31′ | Humor | 60 % | 39 % | 59 % | 26 % |
| 32.5 % | ≈ 37′ | Humor | 63 % | 44 % | 56 % | 32 % |
| 37.5 % | ≈ 42′ | Tension | 61 % | 54 % | 46 % | 24 % |
| 42.5 % | ≈ 48′ | Tension | 63 % | 48 % | 46 % | 21 % |
| 47.5 % | ≈ 54′ | Humor | 66 % | 36 % | 60 % | 25 % |
| 52.5 % | ≈ 59′ | Humor | 65 % | 46 % | 61 % | 24 % |
| 57.5 % | ≈ 65′ | Tension | 63 % | 55 % | 49 % | 23 % |
| 62.5 % | ≈ 71′ | Sympathy | 63 % | 53 % | 38 % | 23 % |
| 67.5 % | ≈ 76′ | Tension | 63 % | 55 % | 36 % | 25 % |
| 72.5 % | ≈ 82′ | Humor | 65 % | 55 % | 41 % | 30 % |
| 77.5 % | ≈ 88′ | Love | 71 % | 57 % | 41 % | 35 % |
| 82.5 % | ≈ 93′ | Tension | 76 % | 68 % | 44 % | 39 % |
| 87.5 % | ≈ 99′ | Tension | 79 % | 74 % | 41 % | 36 % |
| 92.5 % | ≈ 105′ | Tension | 80 % | 75 % | 30 % | 30 % |
| 97.5 % | ≈ 110′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Blanche Bodin
Samy
Dominique, dit Doudou
Greg
Alan
Mme Chocart
Le réceptionniste
Pianiste du Cupidon
Mr. Vadé
Details
- Directed by
- Franck Dubosc
- Written by
- Franck Dubosc, Sarah Kaminsky
- Type
- Movies
- Released
- 2024
- Runtime
- 113 min
- Country
- France, Belgium
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





