Casa Grande
2014 · 117 min · Director: Fellipe Barbosa
Show plot summary (may contain spoilers)
Seventeen year old Caucasian high school senior Jean Cavalcanti, who attends a well regarded private boys' school, lives a relatively carefree life of moderate privilege in a security monitored and locked and gated big, custom built house in an affluent neighborhood in suburban Rio de Janeiro with his parents, Hugo and Sônia, fourteen year old sister Nathalie, and a houseful of servants including live-in maid Rita, black evangelical cook Noemia, and chauffeur Severino. Hugo and Sônia are too preoccupied with maintaining their upper middle class lifestyle to do much direct parenting with the exception of ensuring that Jean and Nat play their proper roles to the outside world, such as making sure that Jean gets into a good post-secondary program, something that Jean places little real effort. Not doing well on the college entrance exams may be a problem as the government has just implemented a quota system to balance the inherent disadvantages faced by non-Caucasians. Because of his parents' general neglect, Jean largely turns to the household staff instead of his parents, Severino, his chauffeur for his daily commute to/from the city to school, who initiates his first sexual experience with a prostitute. Jean is also able to sneak into Rita's room most nights on her teasing invitation to partake in foreplay and frank discussions of sex, although actual sex with him is a place she will not go. When Severino goes on vacation, Jean is forced to take public transit to school, a bus trip where he meets mixed race Luiza, who although not poor is not affluent like Jean's family. Although she is bright, Luiza admits that the quota system will benefit her and the basic inequalities she faces. The two begin to date. These issues in Jean's life are set against a backdrop of an issue of which he is unaware: that the hedge-fund Hugo managed has gone bust and thus he has lost his job. Hugo and Sônia do whatever they need to maintain their public façade of affluence - Severino who is not on vacation but was let go because of the financial issues - which includes living in the house they can no longer afford...
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Emotional fingerprint
Casa Grande (2014) — Movie. Top emotional signals: Empathy 30%, Confusion 20%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Confusion20%
- Melancholy20%
- Love15%
- Inspiration15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Confusion, Melancholy. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Confusion and Melancholy. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 7.5 % | ≈ 9′ | Humor | 35 % | 20 % | 13 % | 3 % |
| 12.5 % | ≈ 15′ | Humor | 34 % | 25 % | 18 % | 6 % |
| 17.5 % | ≈ 20′ | Tension | 35 % | 31 % | 20 % | 8 % |
| 22.5 % | ≈ 26′ | Tension | 36 % | 32 % | 19 % | 8 % |
| 27.5 % | ≈ 32′ | Humor | 32 % | 23 % | 19 % | 6 % |
| 32.5 % | ≈ 38′ | Love | 34 % | 16 % | 24 % | 6 % |
| 37.5 % | ≈ 44′ | Love | 40 % | 24 % | 29 % | 10 % |
| 42.5 % | ≈ 50′ | Tension | 43 % | 35 % | 27 % | 13 % |
| 47.5 % | ≈ 56′ | Tension | 44 % | 43 % | 26 % | 15 % |
| 52.5 % | ≈ 61′ | Tension | 51 % | 49 % | 38 % | 29 % |
| 57.5 % | ≈ 67′ | Sadness | 60 % | 54 % | 51 % | 41 % |
| 62.5 % | ≈ 73′ | Tension | 60 % | 54 % | 49 % | 32 % |
| 67.5 % | ≈ 79′ | Tension | 56 % | 50 % | 40 % | 21 % |
| 72.5 % | ≈ 85′ | Love | 61 % | 54 % | 43 % | 28 % |
| 77.5 % | ≈ 91′ | Tension | 66 % | 59 % | 50 % | 39 % |
| 82.5 % | ≈ 97′ | Empathy | 61 % | 54 % | 50 % | 35 % |
| 87.5 % | ≈ 102′ | Tension | 60 % | 54 % | 44 % | 20 % |
| 92.5 % | ≈ 108′ | Tension | 62 % | 57 % | 38 % | 12 % |
| 97.5 % | ≈ 114′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Hugo
Rita
Luiza
Nathalie
Lia
Wilton
Lucélia
Severino
Noêmia
Roberto
Details
- Directed by
- Fellipe Barbosa
- Written by
- Fellipe Barbosa, Karen Sztajnberg
- Type
- Movies
- Released
- 2014
- Runtime
- 117 min
- Country
- Brazil
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Subscription
Data: JustWatch
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