feeldb

Correspondence

2016 · 122 min · Director: Giuseppe Tornatore ★ IMDb 6.1 · 5,273 ratings

Show plot summary (may contain spoilers)

Focused on the relationship between an astronomer and his lover, who spend their years apart.

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Emotional fingerprint

Correspondence (2016) — Movie. Top emotional signals: Sadness 35%, Love 25%, Anticipation 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Love25%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Sadness, Love, Anticipation. Genres: Drama, Romance. AI estimate.

Is it worth watching?

Consider this title if you are looking for Sadness, Love and Anticipation. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.

How did it make you feel?

Votes are saved to the fingerprint once you’re signed in.

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Emotional journey

AI · from subtitles
  • Sadness
  • Love
  • Empathy

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Love

Dominant emotion: Curiosity

Dominant emotion: Sadness

Dominant emotion: Empathy

Dominant emotion: Hope

Sadness
Love
Empathy
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 8 %, then rises around 18 %, then peaks around 57 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensitySadnessLoveEmpathy
2.5 %≈ 3′Love52 %17 %50 %20 %
7.5 %≈ 9′Curiosity42 %13 %36 %15 %
12.5 %≈ 15′Love48 %24 %38 %25 %
17.5 %≈ 21′Sadness66 %53 %51 %49 %
22.5 %≈ 27′Sadness76 %70 %63 %63 %
27.5 %≈ 34′Sadness74 %68 %59 %65 %
32.5 %≈ 40′Empathy65 %54 %46 %57 %
37.5 %≈ 46′Love64 %50 %49 %51 %
42.5 %≈ 52′Sadness69 %59 %50 %58 %
47.5 %≈ 58′Sadness69 %61 %41 %63 %
52.5 %≈ 64′Sadness71 %65 %40 %68 %
57.5 %≈ 70′Sadness77 %73 %39 %74 %
62.5 %≈ 76′Sadness76 %70 %35 %70 %
67.5 %≈ 82′Sadness66 %58 %38 %60 %
72.5 %≈ 88′Sadness57 %45 %39 %53 %
77.5 %≈ 95′Hope58 %41 %44 %51 %
82.5 %≈ 101′Love61 %44 %51 %50 %
87.5 %≈ 107′Hope68 %53 %57 %51 %
92.5 %≈ 113′Love68 %54 %54 %50 %
97.5 %≈ 119′Hope55 %37 %33 %37 %
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

Kadri — your film companion

AI

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

0 responses so far

Feeling details appear after at least 3 viewers respond, to protect privacy.

Cast

SJ
Simon Johns

SM
Shauna MacDonald

Victoria

SM
Simon Meacock

Artist

JW
James Warren

Rick

OS
Oscar Sanders

Nicholas

Paolo Calabresi

Prescatore Ottavio

AS
Anna Savva

Angela

IK
Irina Kara

Mamma di Amy

JB
James Bloor

Ragazzo

PG
Philip Gascoyne

Theatre Patron (uncredited)

Details

Directed by
Giuseppe Tornatore
Type
Movies
Released
2016
Runtime
122 min
Country
Italy
Genres
Drama, Romance
Ratings
★ IMDb 6.1 · 5,273 ratings
Feels mostly
Sadness
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.