The Overnight
2015 · 79 min · Director: Patrick Brice
Show plot summary (may contain spoilers)
Alex, Emily, and their son, RJ, are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt, Charlotte, and Max. A family "playdate" becomes increasingly interesting as the night goes on.
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Emotional fingerprint
The Overnight (2015) — Movie. Top emotional signals: Humor 30%, Confusion 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Confusion25%
- Anxiety20%
- Surprise15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Confusion, Anxiety. Genres: Comedy, Mystery. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Confusion and Anxiety. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Curiosity
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Curiosity | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 41 % | 39 % | 14 % | 4 % |
| 7.5 % | ≈ 6′ | Humor | 38 % | 32 % | 24 % | 5 % |
| 12.5 % | ≈ 10′ | Curiosity | 40 % | 30 % | 32 % | 7 % |
| 17.5 % | ≈ 14′ | Humor | 42 % | 32 % | 31 % | 11 % |
| 22.5 % | ≈ 18′ | Curiosity | 42 % | 32 % | 31 % | 11 % |
| 27.5 % | ≈ 22′ | Humor | 45 % | 36 % | 35 % | 5 % |
| 32.5 % | ≈ 26′ | Humor | 47 % | 39 % | 40 % | 2 % |
| 37.5 % | ≈ 30′ | Curiosity | 49 % | 36 % | 37 % | 5 % |
| 42.5 % | ≈ 34′ | Tension | 52 % | 33 % | 28 % | 12 % |
| 47.5 % | ≈ 38′ | Empathy | 56 % | 34 % | 23 % | 24 % |
| 52.5 % | ≈ 41′ | Relief | 57 % | 38 % | 24 % | 28 % |
| 57.5 % | ≈ 45′ | Tension | 55 % | 30 % | 36 % | 13 % |
| 62.5 % | ≈ 49′ | Curiosity | 51 % | 19 % | 41 % | 2 % |
| 67.5 % | ≈ 53′ | Tension | 48 % | 20 % | 33 % | 2 % |
| 72.5 % | ≈ 57′ | Tension | 55 % | 17 % | 30 % | 1 % |
| 77.5 % | ≈ 61′ | Tension | 61 % | 18 % | 31 % | 7 % |
| 82.5 % | ≈ 65′ | Humor | 53 % | 28 % | 26 % | 23 % |
| 87.5 % | ≈ 69′ | Relief | 45 % | 31 % | 17 % | 35 % |
| 92.5 % | ≈ 73′ | Relief | 44 % | 27 % | 14 % | 37 % |
| 97.5 % | ≈ 77′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
RJ
Wade
Dawn
Max
Birthday Party Guest #2
Details
- Directed by
- Patrick Brice
- Written by
- Patrick Brice
- Type
- Movies
- Released
- 2015
- Runtime
- 79 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Subscription
Free
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