All the Bright Places
2020 · 108 min · Director: Brett Haley
Show plot summary (may contain spoilers)
The story of Violet Markey and Theodore Finch, who meet and change each other's lives forever. As they struggle with the emotional and physical scars of their past, they come together, discovering that even the smallest places and moments can mean something.
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Emotional fingerprint
All the Bright Places (2020) — Movie. Top emotional signals: Empathy 30%, Sadness 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Sadness25%
- Love20%
- Melancholy15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Love. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Love. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Hope
Dominant emotion: Joy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 51 % | 22 % | 37 % | 48 % |
| 7.5 % | ≈ 8′ | Empathy | 40 % | 19 % | 33 % | 33 % |
| 12.5 % | ≈ 14′ | Empathy | 39 % | 24 % | 36 % | 24 % |
| 17.5 % | ≈ 19′ | Empathy | 49 % | 31 % | 45 % | 25 % |
| 22.5 % | ≈ 24′ | Hope | 47 % | 28 % | 40 % | 21 % |
| 27.5 % | ≈ 30′ | Joy | 43 % | 29 % | 36 % | 17 % |
| 32.5 % | ≈ 35′ | Sadness | 47 % | 36 % | 44 % | 24 % |
| 37.5 % | ≈ 41′ | Hope | 54 % | 41 % | 50 % | 34 % |
| 42.5 % | ≈ 46′ | Sadness | 64 % | 41 % | 50 % | 30 % |
| 47.5 % | ≈ 51′ | Joy | 65 % | 26 % | 40 % | 23 % |
| 52.5 % | ≈ 57′ | Tension | 60 % | 21 % | 39 % | 40 % |
| 57.5 % | ≈ 62′ | Tension | 63 % | 27 % | 46 % | 57 % |
| 62.5 % | ≈ 68′ | Joy | 65 % | 29 % | 46 % | 59 % |
| 67.5 % | ≈ 73′ | Tension | 71 % | 38 % | 52 % | 61 % |
| 72.5 % | ≈ 78′ | Empathy | 77 % | 54 % | 68 % | 61 % |
| 77.5 % | ≈ 84′ | Sadness | 82 % | 68 % | 76 % | 70 % |
| 82.5 % | ≈ 89′ | Tension | 88 % | 76 % | 77 % | 64 % |
| 87.5 % | ≈ 95′ | Sadness | 87 % | 78 % | 75 % | 28 % |
| 92.5 % | ≈ 100′ | Hope | 69 % | 59 % | 55 % | 7 % |
| 97.5 % | ≈ 105′ | Hope | 46 % | 37 % | 28 % | 3 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Sheryl
Roamer
Brenda
Hudson
John Ivers
Sharon Ivers
Suze
Lindsay
Bradley
Preacher
High School Student (uncredited)
Details
- Directed by
- Brett Haley
- Written by
- Liz Hannah, Jennifer Niven
- Type
- Movies
- Released
- 2020
- Runtime
- 108 min
- Country
- United States
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





