We Are Family
2016 · 99 min · Director: Gabriel Julien-Laferrière
Show plot summary (may contain spoilers)
Seven children from divorced parents, sick of being shared and be always changing house every week, decide to make a stand and take their own decisions.
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Emotional fingerprint
We Are Family (2016) — Movie. Top emotional signals: Humor 30%, Empathy 25%, Joy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Joy. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Joy. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Joy
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Joy
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Joy | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 40 % | 35 % | 15 % | 25 % |
| 7.5 % | ≈ 7′ | Empathy | 44 % | 35 % | 11 % | 34 % |
| 12.5 % | ≈ 12′ | Humor | 40 % | 31 % | 14 % | 33 % |
| 17.5 % | ≈ 17′ | Joy | 35 % | 29 % | 18 % | 24 % |
| 22.5 % | ≈ 22′ | Humor | 39 % | 36 % | 18 % | 20 % |
| 27.5 % | ≈ 27′ | Humor | 45 % | 45 % | 18 % | 23 % |
| 32.5 % | ≈ 32′ | Humor | 48 % | 46 % | 15 % | 25 % |
| 37.5 % | ≈ 37′ | Humor | 50 % | 39 % | 11 % | 34 % |
| 42.5 % | ≈ 42′ | Empathy | 53 % | 34 % | 14 % | 44 % |
| 47.5 % | ≈ 47′ | Humor | 50 % | 41 % | 19 % | 34 % |
| 52.5 % | ≈ 52′ | Humor | 46 % | 46 % | 19 % | 20 % |
| 57.5 % | ≈ 57′ | Humor | 44 % | 44 % | 18 % | 21 % |
| 62.5 % | ≈ 62′ | Humor | 44 % | 41 % | 16 % | 30 % |
| 67.5 % | ≈ 67′ | Humor | 45 % | 39 % | 18 % | 35 % |
| 72.5 % | ≈ 72′ | Humor | 48 % | 36 % | 19 % | 36 % |
| 77.5 % | ≈ 77′ | Tension | 56 % | 30 % | 11 % | 46 % |
| 82.5 % | ≈ 82′ | Sadness | 64 % | 26 % | 15 % | 55 % |
| 87.5 % | ≈ 87′ | Joy | 66 % | 27 % | 44 % | 49 % |
| 92.5 % | ≈ 92′ | Joy | 66 % | 33 % | 59 % | 35 % |
| 97.5 % | ≈ 97′ | Humor | 62 % | 43 % | 48 % | 23 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Madeleine
Bastien
Clara
Oscar
Léopoldine
Juliette
Eliot
Gulliver
Alice
un ami de Bastien
Details
- Directed by
- Gabriel Julien-Laferrière
- Written by
- François Desagnat, Olivier Treiner, Camille Treiner, Camille Moreau
- Type
- Movies
- Released
- 2016
- Runtime
- 99 min
- Country
- France, Belgium
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





