At War with Love
2016 · 99 min · Director: Pif
Show plot summary (may contain spoilers)
A love story set in July '43 when Allied forces landed in Sicily. Arturo loves Flora, daughter of a restaurant owner, but she has been promised in marriage to a Mafia boss. Arturo decides to join the Allied forces and return to Sicily, which he had left in search of fortune in America. In the background a clever narrative of how relations between Allies and the Mafia during World War II shaped the fate of Sicily in years to come.
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Emotional fingerprint
At War with Love (2016) — Movie. Top emotional signals: Humor 35%, Excitement 25%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Excitement25%
- Surprise15%
- Love15%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Surprise. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Surprise. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Disturbing
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Disturbing | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Love | 45 % | 8 % | 13 % | 28 % |
| 7.5 % | ≈ 7′ | Tension | 56 % | 20 % | 16 % | 48 % |
| 12.5 % | ≈ 12′ | Love | 63 % | 24 % | 21 % | 56 % |
| 17.5 % | ≈ 17′ | Tension | 63 % | 17 % | 28 % | 57 % |
| 22.5 % | ≈ 22′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 27.5 % | ≈ 27′ | Humor | 47 % | 15 % | 17 % | 38 % |
| 32.5 % | ≈ 32′ | Humor | 49 % | 11 % | 21 % | 34 % |
| 37.5 % | ≈ 37′ | Humor | 53 % | 14 % | 25 % | 36 % |
| 42.5 % | ≈ 42′ | Tension | 56 % | 16 % | 30 % | 40 % |
| 47.5 % | ≈ 47′ | Humor | 61 % | 23 % | 40 % | 36 % |
| 52.5 % | ≈ 52′ | Disturbing | 68 % | 31 % | 56 % | 40 % |
| 57.5 % | ≈ 57′ | Disturbing | 65 % | 26 % | 59 % | 38 % |
| 62.5 % | ≈ 62′ | Humor | 61 % | 33 % | 46 % | 33 % |
| 67.5 % | ≈ 67′ | Sadness | 65 % | 43 % | 41 % | 45 % |
| 72.5 % | ≈ 72′ | Tension | 66 % | 32 % | 36 % | 50 % |
| 77.5 % | ≈ 77′ | Humor | 69 % | 40 % | 29 % | 39 % |
| 82.5 % | ≈ 82′ | Sadness | 75 % | 64 % | 41 % | 38 % |
| 87.5 % | ≈ 87′ | Sadness | 75 % | 65 % | 61 % | 41 % |
| 92.5 % | ≈ 92′ | Disturbing | 72 % | 53 % | 68 % | 38 % |
| 97.5 % | ≈ 97′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Teresa
Franklin Roosevelt
Saro
Mimmo
Agostino
Sebastiano
Carmelo
Generale Patton
Lucky Luciano
Tommaso Lo Presti
L'Uomo Che Mostra Interesse per Teresa
L'Uomo in Lutto per il Fratello
Details
- Directed by
- Pif
- Written by
- Marco Martani, Pif, Michele Astori
- Type
- Movies
- Released
- 2016
- Runtime
- 99 min
- Country
- Italy
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





