Holy Hell
2016 · 100 min · Director: Will Allen
Show plot summary (may contain spoilers)
An inside look at Buddhafield, a West Hollywood cult formed by a charismatic teacher in the 1980s that eventually imploded.
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Emotional fingerprint
Holy Hell (2016) — Movie. Top emotional signals: Disturbing 35%, Confusion 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Disturbing35%
- Confusion25%
- Anxiety20%
- Sadness10%
- Curiosity10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Disturbing, Confusion, Anxiety. Genres: Drama, Documentary. AI estimate.
Is it worth watching?
Consider this title if you are looking for Disturbing, Confusion and Anxiety. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Disturbing
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Disturbing | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 52 % | 5 % | 17 % | 8 % |
| 7.5 % | ≈ 8′ | Curiosity | 53 % | 10 % | 19 % | 11 % |
| 12.5 % | ≈ 13′ | Hope | 53 % | 16 % | 14 % | 15 % |
| 17.5 % | ≈ 18′ | Curiosity | 55 % | 26 % | 11 % | 24 % |
| 22.5 % | ≈ 23′ | Curiosity | 57 % | 35 % | 15 % | 31 % |
| 27.5 % | ≈ 28′ | Curiosity | 56 % | 39 % | 20 % | 32 % |
| 32.5 % | ≈ 33′ | Curiosity | 59 % | 44 % | 26 % | 41 % |
| 37.5 % | ≈ 38′ | Tension | 68 % | 54 % | 36 % | 57 % |
| 42.5 % | ≈ 43′ | Disturbing | 69 % | 59 % | 38 % | 60 % |
| 47.5 % | ≈ 48′ | Disturbing | 61 % | 55 % | 28 % | 48 % |
| 52.5 % | ≈ 53′ | Disturbing | 61 % | 56 % | 30 % | 41 % |
| 57.5 % | ≈ 58′ | Disturbing | 70 % | 65 % | 41 % | 50 % |
| 62.5 % | ≈ 63′ | Disturbing | 80 % | 76 % | 50 % | 61 % |
| 67.5 % | ≈ 68′ | Disturbing | 88 % | 85 % | 65 % | 63 % |
| 72.5 % | ≈ 73′ | Sadness | 89 % | 85 % | 75 % | 60 % |
| 77.5 % | ≈ 78′ | Disturbing | 88 % | 79 % | 76 % | 59 % |
| 82.5 % | ≈ 83′ | Sadness | 86 % | 74 % | 75 % | 55 % |
| 87.5 % | ≈ 88′ | Disturbing | 81 % | 69 % | 68 % | 51 % |
| 92.5 % | ≈ 93′ | Sadness | 75 % | 49 % | 57 % | 38 % |
| 97.5 % | ≈ 98′ | Hope | 72 % | 25 % | 48 % | 18 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Himself
Herself
Herself
Herself
Herself
Herself
Herself
Himself
Herself
Himself
Himself
Himself
Himself
Herself
Himself- Archive Footage
Himself (as Michel) - archive footage
Details
- Directed by
- Will Allen
- Type
- Movies
- Released
- 2016
- Runtime
- 100 min
- Country
- United States
- Genres
- Drama, Documentary
- Ratings
- Feels mostly
- Disturbing
- Data updated
Where to watch
Free
Rent
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





