How to Be Really Bad
2018 · 100 min · Director: Marco Petry
Show plot summary (may contain spoilers)
Lilith is the Devil's teenage daughter. When she is bored with life in hell, her father sends her to Earth where she has one week to convert the people there to evil. If she doesn't make any converts, she will have to return and work in book keeping back home in hell. Lilith sets out on her mission full of enthusiasm and befriends the girl Greta. But her task proves more complicated than anticipated. And when the girl from hell discovers love, that really throws a spanner in the works.
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Emotional fingerprint
How to Be Really Bad (2018) — Movie. Top emotional signals: Humor 30%, Excitement 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Excitement25%
- Love20%
- Surprise15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Love. Genres: Comedy, Fantasy, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Love. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Love
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Love | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 59 % | 57 % | 3 % | 0 % |
| 7.5 % | ≈ 8′ | Humor | 55 % | 52 % | 8 % | 3 % |
| 12.5 % | ≈ 13′ | Humor | 51 % | 48 % | 10 % | 8 % |
| 17.5 % | ≈ 18′ | Humor | 50 % | 45 % | 9 % | 11 % |
| 22.5 % | ≈ 23′ | Humor | 48 % | 42 % | 13 % | 10 % |
| 27.5 % | ≈ 28′ | Humor | 50 % | 43 % | 17 % | 6 % |
| 32.5 % | ≈ 33′ | Humor | 54 % | 50 % | 19 % | 5 % |
| 37.5 % | ≈ 38′ | Humor | 55 % | 51 % | 28 % | 10 % |
| 42.5 % | ≈ 43′ | Humor | 55 % | 50 % | 25 % | 12 % |
| 47.5 % | ≈ 48′ | Humor | 56 % | 53 % | 19 % | 8 % |
| 52.5 % | ≈ 53′ | Humor | 55 % | 47 % | 31 % | 6 % |
| 57.5 % | ≈ 58′ | Love | 51 % | 32 % | 40 % | 12 % |
| 62.5 % | ≈ 63′ | Love | 54 % | 26 % | 43 % | 19 % |
| 67.5 % | ≈ 68′ | Love | 65 % | 23 % | 48 % | 36 % |
| 72.5 % | ≈ 73′ | Sadness | 70 % | 22 % | 42 % | 57 % |
| 77.5 % | ≈ 78′ | Sadness | 66 % | 36 % | 29 % | 46 % |
| 82.5 % | ≈ 83′ | Humor | 67 % | 55 % | 24 % | 15 % |
| 87.5 % | ≈ 88′ | Relief | 71 % | 56 % | 39 % | 6 % |
| 92.5 % | ≈ 93′ | Relief | 65 % | 48 % | 41 % | 8 % |
| 97.5 % | ≈ 98′ | Humor | 55 % | 46 % | 20 % | 5 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Greta Birnstein
Samuel
Melody
Daria
Mathelehrerin Engelhard
Assistent des Teufels
Liliths Privatlehrer
Hanna Birnstein
Lotta Birnstein
Kleines Mädchen
Mutter von Kleines Mädchen
Lehrer (uncredited)
Details
- Directed by
- Marco Petry
- Written by
- Marco Petry, Rochus Hahn, Hortense Ullrich
- Type
- Movies
- Released
- 2018
- Runtime
- 100 min
- Country
- Germany
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





