Paradise Hills
2019 · 95 min · Director: Alice Waddington
Show plot summary (may contain spoilers)
In an undetermined future, society has divided into two sub-types: upper-class or "Uppers", and the rest of the world, mid and lower-class, named "Lowers". Uma is a privileged young woman who is adamantly against marrying another Upper, named Son. Instead, she falls in love with a working class young man named Markus. She is thus sent to Paradise Hills, a school for young ladies located in a remote island in the middle of the ocean. Waking up in Paradise not knowing how she arrived there, she soon meets other students: Amarna, a pop-star who was sent after she decided to sing her own songs against the will of the company that controls her records. Chloe, a plus-sized young lady those parents want to turn thin and compliant. And Yu, a Lower who was sent by her aunt and uncle after refusing to inherit her family business. Uma then meets the eccentric Duchess, Paradise Hills' headmaster. She tries to convince Uma to marry up, just as her mother wants her to. Uma soon suspects a hidden purpose behind all the facility's luxuries. Its elegant staging and the daily sessions of make-up, hairdressing, good manners and therapy are not working on any of her classmates, either. While Amarna and Uma concoct a plan to escape; the latter becomes shocked when Markus appears as part of the Paradise Hills' staff. Amarna, who had started to feel attracted to Uma, feels bitter about this. Finally, alerted by Amarna about their dinners being laced with a sleep-inducing substance, Uma manages to investigate Paradise Hills at night. Discovering the bone-chilling truth: the island is a giant control room to analyze the students' behavior and appearance, in order to be replicated by Lower women, hired to replace the Uppers after the original women are killed. With time running against her, Uma and the rest of her girl gang must find a way to survive before they are up next.
Your viewing check-in
Emotional fingerprint
Paradise Hills (2019) — Movie. Top emotional signals: Confusion 30%, Anxiety 25%, Disturbing 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Confusion30%
- Anxiety25%
- Disturbing20%
- Hope15%
- Awe10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Confusion, Anxiety, Disturbing. Genres: Fantasy, Mystery, Sci-Fi. AI estimate.
Is it worth watching?
Consider this title if you are looking for Confusion, Anxiety and Disturbing. Its IMDb rating of 5.3/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 56/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Disturbing
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Disturbing
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Hope
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Disturbing | 50 % | 43 % | 35 % | 22 % |
| 7.5 % | ≈ 7′ | Tension | 56 % | 51 % | 35 % | 31 % |
| 12.5 % | ≈ 12′ | Empathy | 55 % | 49 % | 31 % | 36 % |
| 17.5 % | ≈ 17′ | Tension | 51 % | 45 % | 33 % | 33 % |
| 22.5 % | ≈ 21′ | Tension | 50 % | 41 % | 36 % | 36 % |
| 27.5 % | ≈ 26′ | Empathy | 55 % | 32 % | 33 % | 50 % |
| 32.5 % | ≈ 31′ | Empathy | 61 % | 24 % | 19 % | 54 % |
| 37.5 % | ≈ 36′ | Hope | 65 % | 33 % | 20 % | 43 % |
| 42.5 % | ≈ 40′ | Tension | 66 % | 53 % | 34 % | 38 % |
| 47.5 % | ≈ 45′ | Tension | 69 % | 64 % | 44 % | 46 % |
| 52.5 % | ≈ 50′ | Tension | 79 % | 73 % | 64 % | 54 % |
| 57.5 % | ≈ 55′ | Disturbing | 81 % | 74 % | 68 % | 54 % |
| 62.5 % | ≈ 59′ | Hope | 78 % | 73 % | 57 % | 51 % |
| 67.5 % | ≈ 64′ | Tension | 83 % | 79 % | 70 % | 51 % |
| 72.5 % | ≈ 69′ | Disturbing | 90 % | 83 % | 81 % | 60 % |
| 77.5 % | ≈ 74′ | Sadness | 93 % | 85 % | 80 % | 65 % |
| 82.5 % | ≈ 78′ | Tension | 89 % | 78 % | 73 % | 63 % |
| 87.5 % | ≈ 83′ | Empathy | 81 % | 61 % | 60 % | 63 % |
| 92.5 % | ≈ 88′ | Disturbing | 77 % | 58 % | 58 % | 57 % |
| 97.5 % | ≈ 93′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Drunk Guest
Senior II
Son's Assistant
PH Girl
Favorite I
Technician II
PH Girl
Assistant I
PH Girl
Favorite II
Young Nurse
Details
- Directed by
- Alice Waddington
- Written by
- Nacho Vigalondo, Sofía Cuenca, Alice Waddington, Brian DeLeeuw
- Type
- Movies
- Released
- 2019
- Runtime
- 95 min
- Country
- Spain, United States
- Ratings
- Feels mostly
- Confusion
- Data updated
Where to watch
Free
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





