Closeness
2017 · 118 min · Director: Kantemir Balagov
Show plot summary (may contain spoilers)
1998, Nalchik. A Jewish family is in trouble: the youngest son and his bride do not come home, and in the morning, a ransom note arrives. The ransom is so high that the family is forced not only to sell its small business, but also to seek help from its fellow tribesmen.
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Emotional fingerprint
Closeness (2017) — Movie. Top emotional signals: Sadness 30%, Empathy 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness30%
- Empathy25%
- Anxiety20%
- Tension15%
- Melancholy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Anxiety. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Anxiety. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Empathy | 25 % | 2 % | 15 % | 1 % |
| 7.5 % | ≈ 9′ | Love | 32 % | 2 % | 17 % | 1 % |
| 12.5 % | ≈ 15′ | Love | 40 % | 4 % | 20 % | 1 % |
| 17.5 % | ≈ 21′ | Love | 53 % | 20 % | 33 % | 9 % |
| 22.5 % | ≈ 27′ | Tension | 69 % | 49 % | 56 % | 22 % |
| 27.5 % | ≈ 32′ | Sadness | 71 % | 59 % | 66 % | 25 % |
| 32.5 % | ≈ 38′ | Empathy | 61 % | 49 % | 56 % | 20 % |
| 37.5 % | ≈ 44′ | Sadness | 61 % | 39 % | 43 % | 34 % |
| 42.5 % | ≈ 50′ | Disturbing | 80 % | 42 % | 49 % | 70 % |
| 47.5 % | ≈ 56′ | Disturbing | 86 % | 56 % | 65 % | 76 % |
| 52.5 % | ≈ 62′ | Sadness | 78 % | 61 % | 70 % | 52 % |
| 57.5 % | ≈ 68′ | Tension | 76 % | 56 % | 69 % | 45 % |
| 62.5 % | ≈ 74′ | Tension | 74 % | 49 % | 61 % | 45 % |
| 67.5 % | ≈ 80′ | Tension | 68 % | 45 % | 55 % | 35 % |
| 72.5 % | ≈ 86′ | Empathy | 66 % | 50 % | 60 % | 21 % |
| 77.5 % | ≈ 91′ | Sadness | 74 % | 63 % | 70 % | 20 % |
| 82.5 % | ≈ 97′ | Sadness | 74 % | 66 % | 69 % | 21 % |
| 87.5 % | ≈ 103′ | Sadness | 60 % | 56 % | 55 % | 10 % |
| 92.5 % | ≈ 109′ | Sadness | 56 % | 54 % | 51 % | 3 % |
| 97.5 % | ≈ 115′ | Sadness | 62 % | 60 % | 57 % | 3 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Adina Koft
David Koft
Tima
Leya
Zhenya
Avi Koft
Rabbi
Dancing Guy
Details
- Directed by
- Kantemir Balagov
- Written by
- Kantemir Balagov, Anton Yarush
- Type
- Movies
- Released
- 2017
- Runtime
- 118 min
- Country
- Russia
- Genres
- Drama
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
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