In Family I Trust
2019 · 94 min · Director: Patricia Font
Show plot summary (may contain spoilers)
Bea is a successful architect who lives in Barcelona (Catalonia, northeast of Spain) with her boyfriend and boss Víctor, CEO of an important company. During a night celebration of an important contract signed to make a skyscraper designed by Bea, in the bar appears the famous TV reporter and anchorwoman Rebecca Ramos, Victor's personal erotic fantasy. Not measuring the consequences of her actions under the influence of alcohol, Bea introduces Rebecca to Victor. The next day Victor proposes and Bea accepts, but at work she learns that a video of Victor and Rebecca having sex in a car is all over the TV channels. In front of all of the CEOs during a meeting, Bea slaps Víctor, destroys her design, and is fired. She flees to her coastal hometown, Santa Clara, where she discovers that her eccentric, free-spirited, and eternal smiling mother Ángela has gathered the whole family to celebrate Bea's visit. Bea reunites with her eldest sister Irene, the town mayor who has a depressive son Fin and is trying to create an ecological power plant; older sister Débora, a first-time mother in full distress with her newborn baby Lucas; and León, youngest and openly-gay brother who dates Manel, a cop in the town. But when Bea thinks that things can't worsen after knowing that Víctor and Rebecca are an official couple, life surprises her much more: Débora confesses that Lucas has been diagnosed with dwarfism and reveals that he isn't her husband Juan's son but the result of a one-night stand with Teodoro, a dwarf hired for her stag-party; Bea's project to make a treehouse with the family ends when Diego, owner of the town's sawmill, claims that her family lands were sold to him by her long-dead father; and finally Ángela reveals in a family lunch that she has a terminal disease and will die in one year, shocking everybody, especially Irene. Frustrated and desperate, Bea finds a second chance when Diego asks to create another tree-house for his little daughter Diana, who has been mute since her mother's death in a car crash two years before. Reluctant because she and Diego had been in a failed relationship in the past, she finally accepts the job. She feels attracted to him again--and then Víctor and Rebecca Ramos appear in Santa Clara to solve some problems and create others.
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Emotional fingerprint
In Family I Trust (2019) — Movie. Top emotional signals: Humor 30%, Joy 25%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Joy25%
- Surprise15%
- Love15%
- Satisfaction15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Surprise. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Surprise. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Sadness
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Hope
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Sadness | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Hope | 44 % | 18 % | 5 % | 38 % |
| 7.5 % | ≈ 7′ | Humor | 53 % | 16 % | 15 % | 39 % |
| 12.5 % | ≈ 12′ | Tension | 66 % | 13 % | 39 % | 33 % |
| 17.5 % | ≈ 16′ | Sadness | 64 % | 11 % | 48 % | 33 % |
| 22.5 % | ≈ 21′ | Humor | 57 % | 21 % | 41 % | 44 % |
| 27.5 % | ≈ 26′ | Sadness | 60 % | 31 % | 40 % | 51 % |
| 32.5 % | ≈ 31′ | Humor | 62 % | 28 % | 30 % | 55 % |
| 37.5 % | ≈ 35′ | Humor | 61 % | 25 % | 15 % | 59 % |
| 42.5 % | ≈ 40′ | Humor | 58 % | 30 % | 11 % | 56 % |
| 47.5 % | ≈ 45′ | Humor | 55 % | 31 % | 21 % | 48 % |
| 52.5 % | ≈ 49′ | Hope | 53 % | 31 % | 30 % | 41 % |
| 57.5 % | ≈ 54′ | Hope | 58 % | 40 % | 39 % | 33 % |
| 62.5 % | ≈ 59′ | Sadness | 65 % | 48 % | 46 % | 29 % |
| 67.5 % | ≈ 63′ | Humor | 63 % | 48 % | 30 % | 39 % |
| 72.5 % | ≈ 68′ | Love | 59 % | 42 % | 19 % | 35 % |
| 77.5 % | ≈ 73′ | Tension | 62 % | 27 % | 29 % | 25 % |
| 82.5 % | ≈ 78′ | Tension | 64 % | 29 % | 41 % | 24 % |
| 87.5 % | ≈ 82′ | Love | 71 % | 54 % | 59 % | 21 % |
| 92.5 % | ≈ 87′ | Sadness | 77 % | 69 % | 66 % | 23 % |
| 97.5 % | ≈ 92′ | Love | 75 % | 68 % | 55 % | 23 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Débora
Juan
Manel
Rebecca Ramos
Teodoro
Julián
Jefe Estudio Arquitectura
Fin
Details
- Directed by
- Patricia Font
- Written by
- Carlos Montero, Laura Norton, Darío Madrona
- Type
- Movies
- Released
- 2019
- Runtime
- 94 min
- Country
- Spain
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





