Foxtrot
2017 · 113 min · Director: Samuel Maoz
Show plot summary (may contain spoilers)
Michael and Dafna are devastated when Army officials show up at their home to announce the death of their son Jonathan. While his sedated wife rests, Michael spirals into a whirlwind of anger only to experience one of life's unfathomable twists, which rival the surreal military experiences of his son.
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Emotional fingerprint
Foxtrot (2017) — Movie. Top emotional signals: Sadness 35%, Anxiety 25%, Confusion 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Anxiety, Confusion. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Anxiety and Confusion. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 86 % | 83 % | 75 % | 50 % |
| 7.5 % | ≈ 8′ | Sadness | 83 % | 80 % | 74 % | 45 % |
| 12.5 % | ≈ 14′ | Sadness | 79 % | 75 % | 70 % | 38 % |
| 17.5 % | ≈ 20′ | Sadness | 78 % | 73 % | 68 % | 44 % |
| 22.5 % | ≈ 25′ | Sadness | 83 % | 61 % | 66 % | 58 % |
| 27.5 % | ≈ 31′ | Relief | 70 % | 33 % | 50 % | 50 % |
| 32.5 % | ≈ 37′ | Humor | 46 % | 20 % | 25 % | 24 % |
| 37.5 % | ≈ 42′ | Sadness | 42 % | 28 % | 19 % | 11 % |
| 42.5 % | ≈ 48′ | Humor | 48 % | 24 % | 23 % | 20 % |
| 47.5 % | ≈ 54′ | Humor | 49 % | 15 % | 20 % | 34 % |
| 52.5 % | ≈ 59′ | Humor | 57 % | 10 % | 18 % | 50 % |
| 57.5 % | ≈ 65′ | Tension | 71 % | 18 % | 24 % | 65 % |
| 62.5 % | ≈ 71′ | Tension | 77 % | 44 % | 43 % | 60 % |
| 67.5 % | ≈ 76′ | Sadness | 81 % | 71 % | 65 % | 45 % |
| 72.5 % | ≈ 82′ | Sadness | 84 % | 80 % | 73 % | 44 % |
| 77.5 % | ≈ 88′ | Sadness | 78 % | 68 % | 66 % | 43 % |
| 82.5 % | ≈ 93′ | Empathy | 76 % | 61 % | 68 % | 29 % |
| 87.5 % | ≈ 99′ | Sadness | 79 % | 70 % | 75 % | 18 % |
| 92.5 % | ≈ 105′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 110′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Avigdor, Michael's Brother
Michael's Mother
Dancer Soldier
Soldier Rolling Cans
Soldier with Headphones
Squad Commander
Female Soldier
High Ranking Officer
Military M. D.
Official Military Officer
Religion Officer
Commander
A Boy in the Back Seat
A Girl in the Back Seat
Driver of the Toy Van
Daphna's Sister
Details
- Directed by
- Samuel Maoz
- Written by
- Samuel Maoz
- Type
- Movies
- Released
- 2017
- Runtime
- 113 min
- Country
- Israel, Switzerland, Germany, France
- Genres
- Drama
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





