Offering to the Storm
2020 · 139 min · Director: Fernando González Molina
Show plot summary (may contain spoilers)
It has been a while since Inspector Amaia Salazar confronted her mother. But despite the fact that both the Civil Guard and Judge Markina consider the case closed, Amaia feels that she is not free from danger. The sudden death of a baby girl in Elizondo is suspicious and the forensic analysis leads Amaia to investigate other deaths of similar origin that will lead the inspector to the final resolution of the events that have devastated the Baztán valley.
Emotional fingerprint
Offering to the Storm (2020) — Movie. Top emotional signals: Tension 30%, Anxiety 25%, Fear 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension30%
- Anxiety25%
- Fear15%
- Satisfaction15%
- Confusion15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Anxiety, Fear. Genres: Thriller, Mystery, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Anxiety and Fear. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 74 % | 61 % | 38 % | 71 % |
| 7.5 % | ≈ 10′ | Curiosity | 72 % | 67 % | 42 % | 64 % |
| 12.5 % | ≈ 17′ | Disturbing | 73 % | 70 % | 45 % | 59 % |
| 17.5 % | ≈ 24′ | Curiosity | 68 % | 68 % | 37 % | 54 % |
| 22.5 % | ≈ 31′ | Curiosity | 59 % | 64 % | 33 % | 47 % |
| 27.5 % | ≈ 38′ | Curiosity | 61 % | 62 % | 45 % | 45 % |
| 32.5 % | ≈ 45′ | Sadness | 72 % | 60 % | 67 % | 49 % |
| 37.5 % | ≈ 52′ | Sadness | 75 % | 60 % | 65 % | 54 % |
| 42.5 % | ≈ 59′ | Curiosity | 74 % | 65 % | 48 % | 64 % |
| 47.5 % | ≈ 66′ | Tension | 81 % | 63 % | 62 % | 70 % |
| 52.5 % | ≈ 73′ | Sadness | 81 % | 62 % | 76 % | 58 % |
| 57.5 % | ≈ 80′ | Curiosity | 69 % | 66 % | 63 % | 48 % |
| 62.5 % | ≈ 87′ | Curiosity | 68 % | 69 % | 50 % | 53 % |
| 67.5 % | ≈ 94′ | Disturbing | 78 % | 73 % | 45 % | 67 % |
| 72.5 % | ≈ 101′ | Tension | 82 % | 73 % | 45 % | 78 % |
| 77.5 % | ≈ 108′ | Tension | 83 % | 72 % | 59 % | 78 % |
| 82.5 % | ≈ 115′ | Sadness | 86 % | 72 % | 62 % | 76 % |
| 87.5 % | ≈ 122′ | Tension | 91 % | 69 % | 54 % | 85 % |
| 92.5 % | ≈ 129′ | Disturbing | 87 % | 53 % | 60 % | 72 % |
| 97.5 % | ≈ 136′ | Relief | 75 % | 32 % | 62 % | 43 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Offering to the Storm. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Jonan Etxaide
James
Yolanda Berrueta
Elena Ochoa
Subinspector Goñi
Iriarte
Hija de Elena Ochoa
Details
- Directed by
- Fernando González Molina
- Written by
- Luiso Berdejo, Dolores Redondo
- Type
- Movies
- Released
- 2020
- Runtime
- 139 min
- Country
- Spain, Germany
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Feels similar
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