Tea With the Dames
2018 · 80 min · Director: Roger Michell
Show plot summary (may contain spoilers)
Dames Eileen Atkins, Judi Dench, Joan Plowright and Maggie Smith have let the cameras in on a friendship that goes back more than half a century. The four acting greats discuss their careers and reminisce about their humble beginnings in the theatre.
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Emotional fingerprint
Tea With the Dames (2018) — Movie. Top emotional signals: Humor 35%, Nostalgia 25%, Love 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Nostalgia25%
- Love15%
- Awe15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Nostalgia, Love. Genres: Documentary. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Nostalgia and Love. Its IMDb rating of 7.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Nostalgia
- Humor
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Nostalgia
Dominant emotion: Empathy
Dominant emotion: Melancholy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Nostalgia | Humor | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 45 % | 40 % | 40 % | 20 % |
| 7.5 % | ≈ 6′ | Nostalgia | 51 % | 41 % | 45 % | 21 % |
| 12.5 % | ≈ 10′ | Humor | 56 % | 36 % | 53 % | 23 % |
| 17.5 % | ≈ 14′ | Humor | 51 % | 34 % | 46 % | 19 % |
| 22.5 % | ≈ 18′ | Nostalgia | 49 % | 36 % | 41 % | 15 % |
| 27.5 % | ≈ 22′ | Humor | 53 % | 35 % | 50 % | 16 % |
| 32.5 % | ≈ 26′ | Humor | 51 % | 34 % | 50 % | 18 % |
| 37.5 % | ≈ 30′ | Nostalgia | 49 % | 43 % | 46 % | 21 % |
| 42.5 % | ≈ 34′ | Nostalgia | 53 % | 51 % | 48 % | 26 % |
| 47.5 % | ≈ 38′ | Nostalgia | 56 % | 56 % | 38 % | 30 % |
| 52.5 % | ≈ 42′ | Nostalgia | 58 % | 56 % | 26 % | 34 % |
| 57.5 % | ≈ 46′ | Humor | 53 % | 45 % | 35 % | 30 % |
| 62.5 % | ≈ 50′ | Humor | 51 % | 39 % | 43 % | 20 % |
| 67.5 % | ≈ 54′ | Empathy | 52 % | 41 % | 38 % | 14 % |
| 72.5 % | ≈ 58′ | Nostalgia | 54 % | 39 % | 44 % | 16 % |
| 77.5 % | ≈ 62′ | Humor | 56 % | 30 % | 54 % | 24 % |
| 82.5 % | ≈ 66′ | Humor | 53 % | 29 % | 53 % | 28 % |
| 87.5 % | ≈ 70′ | Humor | 55 % | 41 % | 50 % | 29 % |
| 92.5 % | ≈ 74′ | Nostalgia | 57 % | 49 % | 45 % | 29 % |
| 97.5 % | ≈ 78′ | Melancholy | 57 % | 43 % | 38 % | 25 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Self (archive footage)
Self (archive footage)
Self (archive footage) (uncredited)
Self (archive footage) (uncredited)
Details
- Directed by
- Roger Michell
- Type
- Movies
- Released
- 2018
- Runtime
- 80 min
- Country
- United Kingdom
- Genres
- Documentary
- Ratings
- Feels mostly
- Humor
- Data updated
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





