The Package
2018 · 94 min · Director: Jake Szymanski
Show plot summary (may contain spoilers)
When a group of teenage friends go on a spring break camping trip, an unfortunate accident sets off a race against time to save their friend's most prized possession.
Emotional fingerprint
The Package (2018) — Movie. Top emotional signals: Humor 35%, Excitement 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Excitement25%
- Anxiety20%
- Surprise10%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Anxiety. Genres: Thriller, Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Anxiety. Its IMDb rating of 5.6/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 59/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Disgust
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Disgust
Dominant emotion: Relief
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Disgust |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 42 % | 40 % | 10 % | 2 % |
| 7.5 % | ≈ 7′ | Humor | 46 % | 44 % | 14 % | 8 % |
| 12.5 % | ≈ 12′ | Humor | 53 % | 51 % | 15 % | 14 % |
| 17.5 % | ≈ 16′ | Humor | 61 % | 53 % | 31 % | 28 % |
| 22.5 % | ≈ 21′ | Disgust | 71 % | 50 % | 57 % | 51 % |
| 27.5 % | ≈ 26′ | Relief | 71 % | 49 % | 65 % | 55 % |
| 32.5 % | ≈ 31′ | Tension | 69 % | 50 % | 64 % | 51 % |
| 37.5 % | ≈ 35′ | Disgust | 70 % | 55 % | 63 % | 55 % |
| 42.5 % | ≈ 40′ | Humor | 68 % | 55 % | 59 % | 44 % |
| 47.5 % | ≈ 45′ | Humor | 64 % | 54 % | 53 % | 35 % |
| 52.5 % | ≈ 49′ | Humor | 64 % | 53 % | 50 % | 36 % |
| 57.5 % | ≈ 54′ | Tension | 68 % | 49 % | 49 % | 29 % |
| 62.5 % | ≈ 59′ | Relief | 71 % | 46 % | 45 % | 26 % |
| 67.5 % | ≈ 63′ | Tension | 71 % | 48 % | 49 % | 35 % |
| 72.5 % | ≈ 68′ | Humor | 70 % | 55 % | 52 % | 45 % |
| 77.5 % | ≈ 73′ | Tension | 70 % | 54 % | 59 % | 44 % |
| 82.5 % | ≈ 78′ | Tension | 66 % | 46 % | 53 % | 26 % |
| 87.5 % | ≈ 82′ | Relief | 61 % | 51 % | 26 % | 14 % |
| 92.5 % | ≈ 87′ | Humor | 59 % | 57 % | 9 % | 15 % |
| 97.5 % | ≈ 92′ | Humor | 57 % | 57 % | 5 % | 18 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Sarah
Nurse
Security Guard #2
Receptionist
Kendall Jenners
Details
- Directed by
- Jake Szymanski
- Written by
- Kevin Burrows, Matt Mider, Kevin Burrows, Matt Mider
- Type
- Movies
- Released
- 2018
- Runtime
- 94 min
- Country
- United States, Canada
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
