What Men Want
2019 · 117 min · Director: Adam Shankman
Show plot summary (may contain spoilers)
A woman is boxed out by the male sports agents in her profession, but gains an unexpected edge over them when she develops the ability to hear men's thoughts.
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Emotional fingerprint
What Men Want (2019) — Movie. Top emotional signals: Humor 35%, Joy 25%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Joy25%
- Surprise15%
- Love15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Surprise. Genres: Comedy, Romance, Fantasy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Surprise. Its IMDb rating of 5.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 56/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Joy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Joy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 46 % | 42 % | 17 % | 22 % |
| 7.5 % | ≈ 9′ | Humor | 49 % | 43 % | 15 % | 26 % |
| 12.5 % | ≈ 15′ | Humor | 50 % | 44 % | 18 % | 25 % |
| 17.5 % | ≈ 20′ | Humor | 53 % | 49 % | 21 % | 21 % |
| 22.5 % | ≈ 26′ | Humor | 57 % | 54 % | 23 % | 21 % |
| 27.5 % | ≈ 32′ | Humor | 58 % | 54 % | 18 % | 28 % |
| 32.5 % | ≈ 38′ | Humor | 57 % | 53 % | 15 % | 30 % |
| 37.5 % | ≈ 44′ | Humor | 59 % | 56 % | 24 % | 26 % |
| 42.5 % | ≈ 50′ | Humor | 59 % | 55 % | 27 % | 28 % |
| 47.5 % | ≈ 56′ | Humor | 52 % | 45 % | 23 % | 29 % |
| 52.5 % | ≈ 61′ | Humor | 49 % | 43 % | 21 % | 26 % |
| 57.5 % | ≈ 67′ | Humor | 51 % | 46 % | 28 % | 23 % |
| 62.5 % | ≈ 73′ | Humor | 54 % | 43 % | 31 % | 26 % |
| 67.5 % | ≈ 79′ | Tension | 59 % | 34 % | 21 % | 45 % |
| 72.5 % | ≈ 85′ | Tension | 65 % | 32 % | 11 % | 55 % |
| 77.5 % | ≈ 91′ | Empathy | 65 % | 36 % | 21 % | 40 % |
| 82.5 % | ≈ 97′ | Joy | 62 % | 39 % | 44 % | 24 % |
| 87.5 % | ≈ 102′ | Joy | 64 % | 40 % | 55 % | 21 % |
| 92.5 % | ≈ 108′ | Joy | 60 % | 43 % | 44 % | 18 % |
| 97.5 % | ≈ 114′ | Humor | 54 % | 47 % | 27 % | 10 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Ciarra
Nick Ivers
Self
Self
Self
Self
Details
- Directed by
- Adam Shankman
- Written by
- Tina Gordon, Alex Gregory, Peter Huyck, Jas Waters
- Type
- Movies
- Released
- 2019
- Runtime
- 117 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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