The Most Beautiful Boy in the World
2021 · 93 min · Director: Kristina Lindström, Kristian Petri
Show plot summary (may contain spoilers)
On March 1, 1971, Luchino Visconti's Morte a Venezia (1971) had its world premiere in London in the presence of Her Majesty The Queen Elizabeth II and her daughter, Princess Anne. It was there that the Italian director proclaimed his Tadzio as the world's most beautiful boy. Fifty years later, that heavy shadow still weighs upon Swedish actor Björn Andrésen, the then 15-year-old star who embodied the legendary Tadzio, who takes us on a memory-laden journey of cinema history, tragedy, and second chances.
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Emotional fingerprint
The Most Beautiful Boy in the World (2021) — Movie. Top emotional signals: Melancholy 35%, Empathy 25%, Nostalgia 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy35%
- Empathy25%
- Nostalgia20%
- Inspiration20%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Empathy, Nostalgia. Genres: History, Documentary, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Empathy and Nostalgia. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Melancholy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Melancholy
Dominant emotion: Empathy
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Melancholy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Melancholy | 38 % | 33 % | 20 % | 32 % |
| 7.5 % | ≈ 7′ | Empathy | 45 % | 41 % | 23 % | 30 % |
| 12.5 % | ≈ 12′ | Empathy | 50 % | 49 % | 26 % | 31 % |
| 17.5 % | ≈ 16′ | Empathy | 50 % | 48 % | 26 % | 30 % |
| 22.5 % | ≈ 21′ | Disturbing | 51 % | 46 % | 24 % | 25 % |
| 27.5 % | ≈ 26′ | Empathy | 60 % | 56 % | 33 % | 29 % |
| 32.5 % | ≈ 30′ | Disturbing | 71 % | 69 % | 48 % | 39 % |
| 37.5 % | ≈ 35′ | Empathy | 75 % | 73 % | 51 % | 40 % |
| 42.5 % | ≈ 40′ | Disturbing | 71 % | 66 % | 48 % | 41 % |
| 47.5 % | ≈ 44′ | Melancholy | 61 % | 54 % | 43 % | 50 % |
| 52.5 % | ≈ 49′ | Melancholy | 61 % | 56 % | 50 % | 59 % |
| 57.5 % | ≈ 53′ | Sadness | 68 % | 64 % | 56 % | 56 % |
| 62.5 % | ≈ 58′ | Tension | 71 % | 65 % | 56 % | 50 % |
| 67.5 % | ≈ 63′ | Sadness | 83 % | 76 % | 73 % | 61 % |
| 72.5 % | ≈ 67′ | Sadness | 86 % | 83 % | 79 % | 68 % |
| 77.5 % | ≈ 72′ | Empathy | 75 % | 74 % | 59 % | 53 % |
| 82.5 % | ≈ 77′ | Empathy | 73 % | 71 % | 53 % | 46 % |
| 87.5 % | ≈ 81′ | Sadness | 86 % | 83 % | 76 % | 61 % |
| 92.5 % | ≈ 86′ | Sadness | 91 % | 88 % | 86 % | 76 % |
| 97.5 % | ≈ 91′ | Melancholy | 85 % | 83 % | 75 % | 78 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Self - Björn Andrésen's Daughter
Self - Björn Andrésen's Sister
Self - Björn Andrésen's Girlfriend
Self - Björn Andrésen's Childhood Friend (voice)
Self - Governess (voice)
Self - Björn Andrésen's Mother's Friend
Self - Casting Director (voice)
Self - Manager
Self - Music Producer
Self - Photographer (voice)
Self - Manga Artist
Self - HR- Stockholm City Archive
Self - Björn Andrésen's Mother (archive footage)
Self (archive footage)
Self (archive footage)
Self - Björn Andrésen's Grandmother (archive footage)
Details
- Directed by
- Kristina Lindström, Kristian Petri
- Written by
- Kristina Lindström, Kristian Petri
- Type
- Movies
- Released
- 2021
- Runtime
- 93 min
- Country
- Sweden, Germany, France
- Genres
- History, Documentary, Biography
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.




