Te quiero, imbécil
2020 · 87 min · Director: Laura Mañá, Laura Mañá
Show plot summary (may contain spoilers)
In 2019 Barcelona, Catalonia (in northeastern Spain), 35-year-old Marcos breaks the fourth wall like Ferris Bueller in Ferris Bueller's Day Off (1986) to talk about himself as his life turns upside-down in the worst way: his 8-year relationship with Ana ends abruptly when she breaks up with him the same moment he proposes marriage; the next day, his boss fires him, claiming "personnel reduction." Defeated and without resources or money, Marcos is forced to move back in with his parents, obsessed to recover Ana at any cost. Feeling like an alien lost on planet Earth and totally unfamiliar with the 21th century's language and social networks, Marcos starts to follow the advice of Sebastián Vennet, a famous Argentinian Internet coach and guru, trying to change himself into a successful man and a sex machine. Blackmailing his close friend, unstoppable womanizer Diego, Marcos gets a job as sports commentator in the Internet section of the newspaper where Diego works. Later he meets Raquel, a former high-school classmate who returned to Barcelona after several years in London. Funny, outlandish, loudmouthed, streetwise, free-spirited accordion player and amateur singer Raquel is a force of nature who decides to help Marcos change his life. Then the unexpected happens: Ana reappears, wanting him only for sex, leaving him confused. He keeps his encounters with Ana secret from Raquel, as his beautiful, vain, sex-bomb work colleague Lorena hits on him, after having turned him down several times in the past. Marcos realizes his true feelings about Raquel at the worst moment: a casual meeting in a disco among the three causes Raquel to discover the truth, catching Marcos in the most inconvenient moment. Feeling more lost than before, Marcos is forced to decide what he really wants in life before he loses everything.
Emotional fingerprint
Te quiero, imbécil (2020) — Movie. Top emotional signals: Humor 35%, Empathy 20%, Joy 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Joy. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Joy. Its IMDb rating of 5.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Hope
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Hope
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Hope | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Sadness | 57 % | 47 % | 12 % | 15 % |
| 7.5 % | ≈ 7′ | Humor | 55 % | 50 % | 16 % | 10 % |
| 12.5 % | ≈ 11′ | Humor | 49 % | 46 % | 20 % | 8 % |
| 17.5 % | ≈ 15′ | Humor | 48 % | 46 % | 20 % | 13 % |
| 22.5 % | ≈ 20′ | Humor | 54 % | 54 % | 21 % | 19 % |
| 27.5 % | ≈ 24′ | Humor | 55 % | 54 % | 19 % | 18 % |
| 32.5 % | ≈ 28′ | Humor | 50 % | 48 % | 15 % | 18 % |
| 37.5 % | ≈ 33′ | Humor | 50 % | 46 % | 20 % | 25 % |
| 42.5 % | ≈ 37′ | Humor | 54 % | 49 % | 24 % | 28 % |
| 47.5 % | ≈ 41′ | Humor | 55 % | 53 % | 18 % | 18 % |
| 52.5 % | ≈ 46′ | Humor | 55 % | 55 % | 13 % | 11 % |
| 57.5 % | ≈ 50′ | Humor | 53 % | 51 % | 18 % | 15 % |
| 62.5 % | ≈ 54′ | Humor | 51 % | 48 % | 25 % | 23 % |
| 67.5 % | ≈ 59′ | Humor | 59 % | 44 % | 21 % | 25 % |
| 72.5 % | ≈ 63′ | Sadness | 64 % | 35 % | 14 % | 19 % |
| 77.5 % | ≈ 67′ | Sadness | 60 % | 32 % | 13 % | 16 % |
| 82.5 % | ≈ 72′ | Sadness | 57 % | 35 % | 19 % | 18 % |
| 87.5 % | ≈ 76′ | Hope | 61 % | 36 % | 38 % | 31 % |
| 92.5 % | ≈ 80′ | Love | 68 % | 38 % | 52 % | 53 % |
| 97.5 % | ≈ 85′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Te quiero, imbécil. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Marcos's Father
Marcos's Mother
Juan
Ezequiel Quintana (cantautor)
Tomi
Mariano
Laura
Verónica
Jefe agencia
Enfermera
Hombre calle
Cristina
Details
- Directed by
- Laura Mañá, Laura Mañá
- Written by
- Abraham Sastre, Iván Bouso
- Type
- Movies
- Released
- 2020
- Runtime
- 87 min
- Country
- Spain
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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