The World to Come
2020 · 105 min · Director: Mona Fastvold
Show plot summary (may contain spoilers)
In upstate New York in the 1850s, Abigail begins a new year on the rural farm where she lives with her husband Dyer. As Abigail considers the year to come through her journal entries, we experience the marked contrast between her deliberate, stoic manner and her unraveling complex emotions. Spring arrives and Abigail meets Tallie, an emotionally frank and arrestingly beautiful newcomer renting a neighboring farm with her husband, Finney. The two strike up a tentative relationship, filling a void in their lives which neither knew existed.
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Emotional fingerprint
The World to Come (2020) — Movie. Top emotional signals: Melancholy 35%, Sadness 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy35%
- Sadness25%
- Love20%
- Empathy10%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Sadness, Love. Genres: Drama, History, Western. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Sadness and Love. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 57 % | 57 % | 8 % | 17 % |
| 7.5 % | ≈ 8′ | Sadness | 69 % | 69 % | 16 % | 18 % |
| 12.5 % | ≈ 13′ | Sadness | 70 % | 66 % | 25 % | 20 % |
| 17.5 % | ≈ 18′ | Love | 57 % | 48 % | 34 % | 25 % |
| 22.5 % | ≈ 24′ | Love | 50 % | 31 % | 40 % | 26 % |
| 27.5 % | ≈ 29′ | Love | 59 % | 20 % | 43 % | 38 % |
| 32.5 % | ≈ 34′ | Tension | 71 % | 18 % | 38 % | 61 % |
| 37.5 % | ≈ 39′ | Tension | 69 % | 25 % | 36 % | 59 % |
| 42.5 % | ≈ 45′ | Love | 64 % | 25 % | 51 % | 34 % |
| 47.5 % | ≈ 50′ | Love | 74 % | 18 % | 71 % | 25 % |
| 52.5 % | ≈ 55′ | Love | 79 % | 16 % | 75 % | 31 % |
| 57.5 % | ≈ 60′ | Love | 73 % | 20 % | 56 % | 46 % |
| 62.5 % | ≈ 66′ | Tension | 73 % | 34 % | 30 % | 65 % |
| 67.5 % | ≈ 71′ | Tension | 76 % | 48 % | 19 % | 74 % |
| 72.5 % | ≈ 76′ | Tension | 80 % | 55 % | 30 % | 71 % |
| 77.5 % | ≈ 81′ | Sadness | 83 % | 61 % | 48 % | 66 % |
| 82.5 % | ≈ 87′ | Tension | 85 % | 65 % | 60 % | 68 % |
| 87.5 % | ≈ 92′ | Sadness | 90 % | 78 % | 60 % | 59 % |
| 92.5 % | ≈ 97′ | Sadness | 92 % | 87 % | 50 % | 42 % |
| 97.5 % | ≈ 102′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Widow Weldon's Son
Tinker
Mother
Man No. 1
Details
- Directed by
- Mona Fastvold
- Written by
- Ron Hansen, Jim Shepard
- Type
- Movies
- Released
- 2020
- Runtime
- 105 min
- Country
- United States, Romania, United Kingdom, France, Russia
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Free
Rent
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