A Girl Missing
2019 · 111 min · Director: Kôji Fukada
Show plot summary (may contain spoilers)
Ichiko is a care-giver and a nurse. She provide home-care to the Oishos' elderly woman and is almost considered part of the family as she visits and performs her tasks routinely. What is more, Ichiko is helping Oisho Motoko to also become a care-giver and potentially replace her one day. The two have become close, which is useful when Motoko's sister Saki disappears. She is returned safely one week later, but the kidnapper is too close to home.
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Emotional fingerprint
A Girl Missing (2019) — Movie. Top emotional signals: Anxiety 30%, Confusion 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Confusion, Empathy. Genres: Drama, Mystery. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Confusion and Empathy. Its IMDb rating of 6.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sympathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Sympathy
Dominant emotion: Disturbing
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 28 % | 20 % | 13 % | 12 % |
| 7.5 % | ≈ 8′ | Sympathy | 26 % | 20 % | 11 % | 11 % |
| 12.5 % | ≈ 14′ | Sympathy | 28 % | 20 % | 9 % | 14 % |
| 17.5 % | ≈ 19′ | Curiosity | 40 % | 29 % | 11 % | 29 % |
| 22.5 % | ≈ 25′ | Sympathy | 55 % | 40 % | 16 % | 43 % |
| 27.5 % | ≈ 31′ | Curiosity | 54 % | 35 % | 16 % | 41 % |
| 32.5 % | ≈ 36′ | Curiosity | 46 % | 30 % | 18 % | 39 % |
| 37.5 % | ≈ 42′ | Curiosity | 46 % | 31 % | 18 % | 39 % |
| 42.5 % | ≈ 47′ | Curiosity | 52 % | 24 % | 13 % | 39 % |
| 47.5 % | ≈ 53′ | Disturbing | 65 % | 25 % | 16 % | 51 % |
| 52.5 % | ≈ 58′ | Tension | 69 % | 43 % | 27 % | 60 % |
| 57.5 % | ≈ 64′ | Sympathy | 61 % | 55 % | 36 % | 51 % |
| 62.5 % | ≈ 69′ | Sympathy | 64 % | 61 % | 49 % | 54 % |
| 67.5 % | ≈ 75′ | Sympathy | 71 % | 65 % | 60 % | 63 % |
| 72.5 % | ≈ 80′ | Sadness | 73 % | 68 % | 65 % | 50 % |
| 77.5 % | ≈ 86′ | Sympathy | 75 % | 65 % | 66 % | 41 % |
| 82.5 % | ≈ 92′ | Tension | 77 % | 56 % | 66 % | 50 % |
| 87.5 % | ≈ 97′ | Sadness | 74 % | 54 % | 69 % | 46 % |
| 92.5 % | ≈ 103′ | Sadness | 67 % | 52 % | 67 % | 35 % |
| 97.5 % | ≈ 108′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Tatsuo Suzuki
Saki Oishi
Yoko Oishi
Reporter
Details
- Directed by
- Kôji Fukada
- Written by
- Kôji Fukada, Kazumasa Yonemitsu
- Type
- Movies
- Released
- 2019
- Runtime
- 111 min
- Country
- Japan, France
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
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Rent
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