On the Line
2022 · 104 min · Director: Romuald Boulanger
Show plot summary (may contain spoilers)
A provocative and edgy radio host must play a dangerous game of cat and mouse with a mysterious caller who's kidnapped his family and is threatening to blow up the whole station.
Emotional fingerprint
On the Line (2022) — Movie. Top emotional signals: Anxiety 35%, Tension 30%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Tension, Fear. Genres: Thriller, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Tension and Fear. Its IMDb rating of 5.5/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 59/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Fear
- Surprise
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Surprise
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Fear | Surprise |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 40 % | 32 % | 17 % | 12 % |
| 7.5 % | ≈ 8′ | Humor | 40 % | 25 % | 10 % | 11 % |
| 12.5 % | ≈ 13′ | Humor | 41 % | 20 % | 5 % | 11 % |
| 17.5 % | ≈ 18′ | Humor | 48 % | 30 % | 14 % | 19 % |
| 22.5 % | ≈ 23′ | Tension | 61 % | 54 % | 36 % | 26 % |
| 27.5 % | ≈ 29′ | Tension | 75 % | 73 % | 55 % | 26 % |
| 32.5 % | ≈ 34′ | Tension | 83 % | 80 % | 64 % | 31 % |
| 37.5 % | ≈ 39′ | Tension | 87 % | 84 % | 68 % | 48 % |
| 42.5 % | ≈ 44′ | Tension | 85 % | 83 % | 64 % | 53 % |
| 47.5 % | ≈ 49′ | Tension | 80 % | 79 % | 60 % | 38 % |
| 52.5 % | ≈ 55′ | Tension | 79 % | 79 % | 61 % | 30 % |
| 57.5 % | ≈ 60′ | Tension | 84 % | 84 % | 68 % | 34 % |
| 62.5 % | ≈ 65′ | Tension | 88 % | 88 % | 73 % | 33 % |
| 67.5 % | ≈ 70′ | Tension | 88 % | 88 % | 73 % | 31 % |
| 72.5 % | ≈ 75′ | Tension | 88 % | 88 % | 73 % | 30 % |
| 77.5 % | ≈ 81′ | Tension | 87 % | 80 % | 65 % | 40 % |
| 82.5 % | ≈ 86′ | Surprise | 88 % | 68 % | 50 % | 70 % |
| 87.5 % | ≈ 91′ | Surprise | 87 % | 50 % | 31 % | 78 % |
| 92.5 % | ≈ 96′ | Relief | 82 % | 28 % | 13 % | 60 % |
| 97.5 % | ≈ 101′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Adria Cooney
Details
- Directed by
- Romuald Boulanger
- Written by
- Romuald Boulanger
- Type
- Movies
- Released
- 2022
- Runtime
- 104 min
- Country
- France, United States of America
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
