Popeye
1980 · 114 min · Director: Robert Altman
Show plot summary (may contain spoilers)
Popeye is a super-strong, spinach-scarfing sailor man who's searching for his father. During a storm that wrecks his ship, Popeye washes ashore and winds up rooming at the Oyl household, where he meets Olive. Before he can win her heart, he must first contend with Olive's fiancé, Bluto.
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Emotional fingerprint
Popeye (1980) — Movie. Top emotional signals: Humor 30%, Smile 25%, Joy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Smile, Joy. Genres: Comedy, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Smile and Joy. Its IMDb rating of 5.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 56/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 42 % | 38 % | 8 % | 27 % |
| 7.5 % | ≈ 9′ | Humor | 44 % | 43 % | 14 % | 15 % |
| 12.5 % | ≈ 14′ | Humor | 46 % | 46 % | 18 % | 8 % |
| 17.5 % | ≈ 20′ | Humor | 50 % | 49 % | 20 % | 9 % |
| 22.5 % | ≈ 26′ | Humor | 51 % | 49 % | 21 % | 11 % |
| 27.5 % | ≈ 31′ | Humor | 49 % | 46 % | 20 % | 13 % |
| 32.5 % | ≈ 37′ | Humor | 49 % | 45 % | 24 % | 10 % |
| 37.5 % | ≈ 43′ | Humor | 51 % | 44 % | 31 % | 8 % |
| 42.5 % | ≈ 48′ | Humor | 55 % | 43 % | 43 % | 8 % |
| 47.5 % | ≈ 54′ | Tension | 59 % | 41 % | 41 % | 14 % |
| 52.5 % | ≈ 60′ | Love | 57 % | 38 % | 29 % | 26 % |
| 57.5 % | ≈ 66′ | Humor | 53 % | 36 % | 31 % | 26 % |
| 62.5 % | ≈ 71′ | Humor | 54 % | 32 % | 39 % | 15 % |
| 67.5 % | ≈ 77′ | Sadness | 59 % | 26 % | 44 % | 9 % |
| 72.5 % | ≈ 83′ | Tension | 57 % | 31 % | 46 % | 9 % |
| 77.5 % | ≈ 88′ | Love | 55 % | 41 % | 44 % | 10 % |
| 82.5 % | ≈ 94′ | Humor | 58 % | 45 % | 48 % | 8 % |
| 87.5 % | ≈ 100′ | Tension | 65 % | 44 % | 59 % | 6 % |
| 92.5 % | ≈ 105′ | Tension | 71 % | 43 % | 51 % | 23 % |
| 97.5 % | ≈ 111′ | Joy | 72 % | 42 % | 27 % | 47 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Rough House
Swee'pea
Bill Barnacle
Harry Hotcash
Cherry
Oxblood Oxheart
Scoop, the Reporter
Details
- Directed by
- Robert Altman
- Written by
- Jules Feiffer
- Type
- Movies
- Released
- 1980
- Runtime
- 114 min
- Country
- United States of America
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.




