The Dirty Dozen
1967 · 149 min · Director: Robert Aldrich
Show plot summary (may contain spoilers)
12 American military prisoners in World War II are ordered to infiltrate a well-guarded enemy château and kill the Nazi officers vacationing there. The soldiers, most of whom are facing death sentences for a variety of violent crimes, agree to the mission and the possible commuting of their sentences.
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Emotional fingerprint
The Dirty Dozen (1967) — Movie. Top emotional signals: Excitement 30%, Tension 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Tension25%
- Empathy20%
- Satisfaction15%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Tension, Empathy. Genres: Adventure, Action, War. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Tension and Empathy. Its IMDb rating of 7.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Disturbing
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion: Humor
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Tension | 58 % | 57 % | 35 % | 5 % |
| 7.5 % | ≈ 11′ | Tension | 55 % | 55 % | 32 % | 7 % |
| 12.5 % | ≈ 19′ | Tension | 57 % | 51 % | 38 % | 11 % |
| 17.5 % | ≈ 26′ | Disturbing | 55 % | 42 % | 42 % | 16 % |
| 22.5 % | ≈ 34′ | Humor | 51 % | 42 % | 33 % | 21 % |
| 27.5 % | ≈ 41′ | Tension | 54 % | 50 % | 30 % | 25 % |
| 32.5 % | ≈ 48′ | Humor | 52 % | 43 % | 24 % | 36 % |
| 37.5 % | ≈ 56′ | Humor | 50 % | 35 % | 15 % | 47 % |
| 42.5 % | ≈ 63′ | Humor | 54 % | 35 % | 16 % | 52 % |
| 47.5 % | ≈ 71′ | Humor | 54 % | 35 % | 15 % | 50 % |
| 52.5 % | ≈ 78′ | Tension | 53 % | 43 % | 14 % | 41 % |
| 57.5 % | ≈ 86′ | Tension | 51 % | 48 % | 10 % | 36 % |
| 62.5 % | ≈ 93′ | Humor | 51 % | 46 % | 9 % | 40 % |
| 67.5 % | ≈ 101′ | Tension | 55 % | 51 % | 13 % | 35 % |
| 72.5 % | ≈ 108′ | Tension | 60 % | 59 % | 17 % | 24 % |
| 77.5 % | ≈ 115′ | Tension | 62 % | 62 % | 20 % | 19 % |
| 82.5 % | ≈ 123′ | Tension | 68 % | 66 % | 38 % | 12 % |
| 87.5 % | ≈ 130′ | Disturbing | 79 % | 75 % | 64 % | 5 % |
| 92.5 % | ≈ 138′ | Tension | 83 % | 80 % | 61 % | 7 % |
| 97.5 % | ≈ 145′ | Tension | 80 % | 79 % | 42 % | 13 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Milo Vladek
Glenn Gilpin
Roscoe Lever
Seth Sawyer
Tassos Bravos
Details
- Directed by
- Robert Aldrich
- Written by
- Lukas Heller, Nunnally Johnson, E.M. Nathanson
- Type
- Movies
- Released
- 1967
- Runtime
- 149 min
- Country
- United Kingdom, United States of America
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





