feeldb

Breathless

1960 · 90 min · Director: Jean-Luc Godard ★ IMDb 7.6 · 96,781 ratings

Show plot summary (may contain spoilers)

A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.

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Emotional fingerprint

Breathless (1960) — Movie. Top emotional signals: Tension 30%, Anxiety 25%, Curiosity 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Humor15%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Tension, Anxiety, Curiosity. Genres: Drama, Crime. AI estimate.

Is it worth watching?

Consider this title if you are looking for Tension, Anxiety and Curiosity. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Melancholy
  • Curiosity

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Tension

Dominant emotion: Curiosity

Dominant emotion: Melancholy

Dominant emotion: Love

Tension
Melancholy
Curiosity
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then dips around 57 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionMelancholyCuriosity
2.5 %≈ 2′Humor39 %25 %3 %25 %
7.5 %≈ 7′Tension46 %36 %4 %32 %
12.5 %≈ 11′Curiosity47 %38 %7 %39 %
17.5 %≈ 16′Tension45 %40 %11 %39 %
22.5 %≈ 20′Tension44 %35 %23 %31 %
27.5 %≈ 25′Melancholy42 %24 %35 %25 %
32.5 %≈ 29′Melancholy37 %22 %32 %27 %
37.5 %≈ 34′Melancholy38 %27 %23 %33 %
42.5 %≈ 38′Curiosity40 %26 %15 %36 %
47.5 %≈ 43′Humor38 %23 %15 %30 %
52.5 %≈ 47′Love38 %22 %16 %26 %
57.5 %≈ 52′Humor37 %23 %11 %27 %
62.5 %≈ 56′Curiosity38 %24 %9 %30 %
67.5 %≈ 61′Humor41 %26 %9 %29 %
72.5 %≈ 65′Tension45 %36 %8 %28 %
77.5 %≈ 70′Tension51 %48 %12 %33 %
82.5 %≈ 74′Tension49 %44 %20 %34 %
87.5 %≈ 79′Melancholy50 %42 %32 %35 %
92.5 %≈ 83′Tension65 %57 %47 %40 %
97.5 %≈ 88′Melancholy74 %66 %58 %39 %
Oedipus

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

RH
Roger Hanin

CM
Claude Mansard

LD
Liliane Dreyfus

Jean-Luc Godard

The Snitch

RB
Richard Balducci

Tolmatchoff

AS
André S. Labarthe

Journalist at Orly

FM
François Moreuil

Journalist at Orly

JL
Jacques Lourcelles

LR
Liliane Robin

Minouche

GB
Gérard Brach

Photographer (uncredited)

Pd
Philippe de Broca

A Journalist (uncredited)

JB
José Bénazéraf

Man in a White Car (uncredited)

JD
Jean Domarchi

A Drunk (uncredited)

Details

Directed by
Jean-Luc Godard
Type
Movies
Released
1960
Runtime
90 min
Country
France
Genres
Drama, Crime
Ratings
★ IMDb 7.6 · 96,781 ratings
Feels mostly
Tension
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.