Touch of Evil
1958 · 111 min · Director: Orson Welles
Show plot summary (may contain spoilers)
When a car bomb explodes on the American side of the U.S./Mexico border, Mexican drug enforcement agent Miguel Vargas begins his investigation, along with American police captain Hank Quinlan. When Vargas begins to suspect that Quinlan and his shady partner, Menzies, are planting evidence to frame an innocent man, his investigations into their possible corruption quickly put himself and his new bride, Susie, in jeopardy.
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Emotional fingerprint
Touch of Evil (1958) — Movie. Top emotional signals: Tension 35%, Anxiety 25%, Curiosity 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension35%
- Anxiety25%
- Curiosity20%
- Satisfaction10%
- Disturbing10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Anxiety, Curiosity. Genres: Thriller, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Anxiety and Curiosity. Its IMDb rating of 7.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 75/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Disturbing
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 60 % | 53 % | 28 % | 53 % |
| 7.5 % | ≈ 8′ | Curiosity | 57 % | 51 % | 29 % | 54 % |
| 12.5 % | ≈ 14′ | Tension | 56 % | 53 % | 29 % | 50 % |
| 17.5 % | ≈ 19′ | Tension | 56 % | 53 % | 29 % | 48 % |
| 22.5 % | ≈ 25′ | Curiosity | 55 % | 50 % | 30 % | 48 % |
| 27.5 % | ≈ 31′ | Tension | 55 % | 50 % | 34 % | 48 % |
| 32.5 % | ≈ 36′ | Curiosity | 57 % | 52 % | 36 % | 50 % |
| 37.5 % | ≈ 42′ | Tension | 64 % | 60 % | 41 % | 54 % |
| 42.5 % | ≈ 47′ | Tension | 66 % | 64 % | 43 % | 56 % |
| 47.5 % | ≈ 53′ | Curiosity | 68 % | 64 % | 44 % | 57 % |
| 52.5 % | ≈ 58′ | Tension | 75 % | 70 % | 59 % | 50 % |
| 57.5 % | ≈ 64′ | Disturbing | 84 % | 79 % | 77 % | 45 % |
| 62.5 % | ≈ 69′ | Disturbing | 89 % | 84 % | 84 % | 50 % |
| 67.5 % | ≈ 75′ | Tension | 86 % | 80 % | 76 % | 50 % |
| 72.5 % | ≈ 80′ | Tension | 79 % | 73 % | 61 % | 53 % |
| 77.5 % | ≈ 86′ | Tension | 81 % | 78 % | 55 % | 55 % |
| 82.5 % | ≈ 92′ | Tension | 81 % | 66 % | 49 % | 40 % |
| 87.5 % | ≈ 97′ | Sadness | 68 % | 33 % | 32 % | 23 % |
| 92.5 % | ≈ 103′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 108′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Manelo Sanchez
Risto - Grandi's Nephew
Pretty Boy
Blaine
Zita
Strip-Club Owner
Young Delinquent (uncredited)
Details
- Directed by
- Orson Welles
- Written by
- Orson Welles, Whit Masterson
- Type
- Movies
- Released
- 1958
- Runtime
- 111 min
- Country
- United States of America
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





