The Ladykillers
1955 · 91 min · Director: Alexander Mackendrick
Show plot summary (may contain spoilers)
Five oddball criminals planning a bank robbery rent rooms on a cul-de-sac from an octogenarian widow under the pretext that they are classical musicians.
Emotional fingerprint
The Ladykillers (1955) — Movie. Top emotional signals: Humor 35%, Joy 25%, Surprise 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Joy25%
- Surprise20%
- Satisfaction20%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Surprise. Genres: Comedy, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Surprise. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 75/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Humor
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Humor | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 30 % | 7 % | 27 % | 27 % |
| 7.5 % | ≈ 7′ | Humor | 36 % | 11 % | 31 % | 33 % |
| 12.5 % | ≈ 11′ | Curiosity | 43 % | 19 % | 39 % | 40 % |
| 17.5 % | ≈ 16′ | Humor | 49 % | 21 % | 46 % | 36 % |
| 22.5 % | ≈ 20′ | Humor | 54 % | 20 % | 53 % | 28 % |
| 27.5 % | ≈ 25′ | Humor | 55 % | 29 % | 46 % | 30 % |
| 32.5 % | ≈ 30′ | Tension | 54 % | 44 % | 34 % | 38 % |
| 37.5 % | ≈ 34′ | Tension | 54 % | 49 % | 36 % | 38 % |
| 42.5 % | ≈ 39′ | Humor | 55 % | 49 % | 43 % | 35 % |
| 47.5 % | ≈ 43′ | Tension | 56 % | 51 % | 43 % | 38 % |
| 52.5 % | ≈ 48′ | Humor | 53 % | 48 % | 41 % | 38 % |
| 57.5 % | ≈ 52′ | Humor | 50 % | 44 % | 36 % | 34 % |
| 62.5 % | ≈ 57′ | Tension | 60 % | 56 % | 29 % | 35 % |
| 67.5 % | ≈ 61′ | Tension | 72 % | 69 % | 24 % | 40 % |
| 72.5 % | ≈ 66′ | Tension | 76 % | 73 % | 25 % | 44 % |
| 77.5 % | ≈ 71′ | Tension | 76 % | 73 % | 28 % | 44 % |
| 82.5 % | ≈ 75′ | Tension | 76 % | 74 % | 29 % | 41 % |
| 87.5 % | ≈ 80′ | Tension | 81 % | 79 % | 31 % | 40 % |
| 92.5 % | ≈ 84′ | Tension | 77 % | 67 % | 38 % | 35 % |
| 97.5 % | ≈ 89′ | Relief | 66 % | 40 % | 45 % | 27 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Hypatia (uncredited)
Cab Driver (uncredited)
Burglar (uncredited)
Junk Man (uncredited)
Miss Pringle (uncredited)
Security Van Driver (uncredited)
Station Master (uncredited)
Security Guard (uncredited)
Details
- Directed by
- Alexander Mackendrick
- Written by
- William Rose, Jimmy O'Connor
- Type
- Movies
- Released
- 1955
- Runtime
- 91 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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