From the Life of the Marionettes
1980 · 104 min · Director: Ingmar Bergman
Show plot summary (may contain spoilers)
An account of the events before and after a murder committed by a disturbed businessman in a strained marriage, and what led him to perform such a shocking act.
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Emotional fingerprint
From the Life of the Marionettes (1980) — Movie. Top emotional signals: Sadness 30%, Disturbing 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness30%
- Disturbing25%
- Anxiety20%
- Confusion15%
- Empathy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Disturbing, Anxiety. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Disturbing and Anxiety. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Disturbing
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Disturbing
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Disturbing | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 63 % | 17 % | 48 % | 57 % |
| 7.5 % | ≈ 8′ | Disturbing | 70 % | 24 % | 61 % | 61 % |
| 12.5 % | ≈ 13′ | Disturbing | 75 % | 26 % | 73 % | 63 % |
| 17.5 % | ≈ 18′ | Disturbing | 73 % | 30 % | 66 % | 56 % |
| 22.5 % | ≈ 23′ | Tension | 59 % | 34 % | 40 % | 43 % |
| 27.5 % | ≈ 29′ | Empathy | 47 % | 33 % | 18 % | 28 % |
| 32.5 % | ≈ 34′ | Sadness | 47 % | 39 % | 16 % | 25 % |
| 37.5 % | ≈ 39′ | Sadness | 49 % | 45 % | 18 % | 26 % |
| 42.5 % | ≈ 44′ | Sadness | 54 % | 50 % | 18 % | 25 % |
| 47.5 % | ≈ 49′ | Sadness | 67 % | 63 % | 29 % | 25 % |
| 52.5 % | ≈ 55′ | Sadness | 73 % | 64 % | 39 % | 29 % |
| 57.5 % | ≈ 60′ | Curiosity | 68 % | 46 % | 44 % | 39 % |
| 62.5 % | ≈ 65′ | Disturbing | 69 % | 38 % | 54 % | 55 % |
| 67.5 % | ≈ 70′ | Tension | 71 % | 45 % | 54 % | 64 % |
| 72.5 % | ≈ 75′ | Sadness | 70 % | 56 % | 42 % | 54 % |
| 77.5 % | ≈ 81′ | Sadness | 75 % | 70 % | 36 % | 46 % |
| 82.5 % | ≈ 86′ | Sadness | 77 % | 63 % | 35 % | 54 % |
| 87.5 % | ≈ 91′ | Tension | 73 % | 36 % | 43 % | 65 % |
| 92.5 % | ≈ 96′ | Tension | 73 % | 38 % | 55 % | 59 % |
| 97.5 % | ≈ 101′ | Sadness | 73 % | 55 % | 60 % | 38 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Peter Egerman
Mogensjensen
Tim Mandelbaum
Details
- Directed by
- Ingmar Bergman
- Written by
- Ingmar Bergman
- Type
- Movies
- Released
- 1980
- Runtime
- 104 min
- Country
- Germany, Austria
- Genres
- Drama
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
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