La traviata
2005 · 132 min · Director: Brian Large
Show plot summary (may contain spoilers)
Violetta, a courtesan much wooed by Parisian society, organizes a grand party that is attended, amongst others, by the young Alfredo Germont. He confesses his feelings to Violetta, who is already suffering from consumption. She vacillates between genuine affection and a realistic assessment of her situation as a "fallen woman", which precludes any lasting relationship with a man. The Willy Decker production of La Traviata, recorded live at the Salzburger Festspiele in August, 2005. Anna Netrebko stars as Violetta Valéry, with Rolando Villazón as Alfredo Germont and Thomas Hampson as Giorgio Germont. Carlo Rizzi conducts the Wiener Philharmoniker.
Emotional fingerprint
La traviata (2005) — Movie. Top emotional signals: Sadness 35%, Love 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Love25%
- Melancholy20%
- Empathy10%
- Awe10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Love, Melancholy. Genres: Drama, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Love and Melancholy. Its IMDb rating of 8.7/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Love
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 7.5 % | ≈ 10′ | Joy | 63 % | 10 % | 23 % | 42 % |
| 12.5 % | ≈ 17′ | Love | 64 % | 16 % | 34 % | 54 % |
| 17.5 % | ≈ 23′ | Love | 66 % | 28 % | 44 % | 61 % |
| 22.5 % | ≈ 30′ | Love | 65 % | 34 % | 46 % | 57 % |
| 27.5 % | ≈ 36′ | Love | 65 % | 35 % | 49 % | 54 % |
| 32.5 % | ≈ 43′ | Empathy | 74 % | 55 % | 65 % | 50 % |
| 37.5 % | ≈ 50′ | Sadness | 84 % | 79 % | 83 % | 54 % |
| 42.5 % | ≈ 56′ | Sadness | 88 % | 83 % | 86 % | 65 % |
| 47.5 % | ≈ 63′ | Sadness | 84 % | 76 % | 79 % | 60 % |
| 52.5 % | ≈ 69′ | Sadness | 74 % | 64 % | 63 % | 37 % |
| 57.5 % | ≈ 76′ | Tension | 68 % | 45 % | 49 % | 21 % |
| 62.5 % | ≈ 83′ | Tension | 75 % | 44 % | 56 % | 21 % |
| 67.5 % | ≈ 89′ | Empathy | 85 % | 65 % | 75 % | 39 % |
| 72.5 % | ≈ 96′ | Sadness | 86 % | 79 % | 83 % | 49 % |
| 77.5 % | ≈ 102′ | Sadness | 88 % | 84 % | 85 % | 36 % |
| 82.5 % | ≈ 109′ | Sadness | 90 % | 81 % | 85 % | 44 % |
| 87.5 % | ≈ 116′ | Love | 90 % | 74 % | 83 % | 69 % |
| 92.5 % | ≈ 122′ | Sadness | 93 % | 83 % | 88 % | 76 % |
| 97.5 % | ≈ 129′ | Sadness | 97 % | 95 % | 93 % | 77 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about La traviata. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Details
- Directed by
- Brian Large
- Written by
- Francesco Maria Piave, Alexandre Dumas fils
- Type
- Movies
- Released
- 2005
- Runtime
- 132 min
- Country
- Austria, Germany, Japan
- Ratings
- Feels mostly
- Sadness
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
