Before the Revolution
1964 · 111 min · Director: Bernardo Bertolucci
Show plot summary (may contain spoilers)
The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.
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Emotional fingerprint
Before the Revolution (1964) — Movie. Top emotional signals: Melancholy 30%, Sadness 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy30%
- Sadness25%
- Love20%
- Confusion15%
- Guilt10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Sadness, Love. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Sadness and Love. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Melancholy
- Sadness
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Melancholy
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Melancholy | Sadness | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Melancholy | 55 % | 48 % | 32 % | 30 % |
| 7.5 % | ≈ 8′ | Empathy | 48 % | 33 % | 30 % | 33 % |
| 12.5 % | ≈ 14′ | Sadness | 48 % | 29 % | 40 % | 38 % |
| 17.5 % | ≈ 19′ | Sadness | 60 % | 45 % | 59 % | 53 % |
| 22.5 % | ≈ 25′ | Sadness | 60 % | 45 % | 52 % | 51 % |
| 27.5 % | ≈ 31′ | Love | 49 % | 29 % | 29 % | 38 % |
| 32.5 % | ≈ 36′ | Empathy | 48 % | 23 % | 20 % | 35 % |
| 37.5 % | ≈ 42′ | Love | 55 % | 30 % | 26 % | 38 % |
| 42.5 % | ≈ 47′ | Love | 57 % | 43 % | 35 % | 41 % |
| 47.5 % | ≈ 53′ | Melancholy | 49 % | 40 % | 32 % | 39 % |
| 52.5 % | ≈ 58′ | Empathy | 50 % | 36 % | 35 % | 46 % |
| 57.5 % | ≈ 64′ | Empathy | 56 % | 36 % | 38 % | 54 % |
| 62.5 % | ≈ 69′ | Tension | 55 % | 31 % | 34 % | 49 % |
| 67.5 % | ≈ 75′ | Empathy | 56 % | 38 % | 38 % | 49 % |
| 72.5 % | ≈ 80′ | Melancholy | 60 % | 54 % | 43 % | 49 % |
| 77.5 % | ≈ 86′ | Melancholy | 65 % | 65 % | 48 % | 48 % |
| 82.5 % | ≈ 92′ | Melancholy | 65 % | 66 % | 45 % | 43 % |
| 87.5 % | ≈ 97′ | Melancholy | 66 % | 69 % | 45 % | 41 % |
| 92.5 % | ≈ 103′ | Melancholy | 64 % | 64 % | 45 % | 41 % |
| 97.5 % | ≈ 108′ | Melancholy | 52 % | 48 % | 33 % | 32 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
The Painter
Enore
Priest
Fabrizio's Mother
Fabrizio's Father
Fabrizio's Brother
Clelia's Mother
The Grandmother
Details
- Directed by
- Bernardo Bertolucci
- Written by
- Bernardo Bertolucci
- Type
- Movies
- Released
- 1964
- Runtime
- 111 min
- Country
- Italy
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Data: JustWatch
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