Look Again
2011 · 90 min · Director: Jean-Marc Piché
Show plot summary (may contain spoilers)
Just as her life is coming together, Allison experiences a terrible tragedy when her boyfriend is murdered by an intruder from whom the woman herself barely escapes. The police capture a man they believe to be the killer, but Allison, still unsettled, has her doubts. Things take a frightening turn when she meets her friend's new boyfriend and suspects him to be the killer.
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Emotional fingerprint
Look Again (2011) — Movie. Top emotional signals: Anxiety 35%, Tension 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Tension, Fear. Genres: Thriller, Mystery, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Tension and Fear. Its IMDb rating of 4.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Tension
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Tension | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 49 % | 24 % | 36 % | 25 % |
| 7.5 % | ≈ 7′ | Tension | 70 % | 34 % | 62 % | 52 % |
| 12.5 % | ≈ 11′ | Sadness | 72 % | 46 % | 65 % | 58 % |
| 17.5 % | ≈ 16′ | Curiosity | 53 % | 43 % | 42 % | 41 % |
| 22.5 % | ≈ 20′ | Relief | 39 % | 32 % | 26 % | 23 % |
| 27.5 % | ≈ 25′ | Curiosity | 41 % | 36 % | 30 % | 15 % |
| 32.5 % | ≈ 29′ | Curiosity | 52 % | 46 % | 46 % | 16 % |
| 37.5 % | ≈ 34′ | Tension | 55 % | 44 % | 48 % | 15 % |
| 42.5 % | ≈ 38′ | Curiosity | 53 % | 45 % | 46 % | 17 % |
| 47.5 % | ≈ 43′ | Tension | 56 % | 45 % | 48 % | 26 % |
| 52.5 % | ≈ 47′ | Sadness | 51 % | 35 % | 34 % | 31 % |
| 57.5 % | ≈ 52′ | Relief | 48 % | 35 % | 27 % | 24 % |
| 62.5 % | ≈ 56′ | Curiosity | 57 % | 48 % | 45 % | 25 % |
| 67.5 % | ≈ 61′ | Tension | 67 % | 55 % | 62 % | 33 % |
| 72.5 % | ≈ 65′ | Tension | 69 % | 58 % | 64 % | 34 % |
| 77.5 % | ≈ 70′ | Curiosity | 69 % | 63 % | 63 % | 45 % |
| 82.5 % | ≈ 74′ | Sadness | 75 % | 66 % | 69 % | 52 % |
| 87.5 % | ≈ 79′ | Tension | 80 % | 70 % | 76 % | 38 % |
| 92.5 % | ≈ 83′ | Curiosity | 79 % | 71 % | 71 % | 33 % |
| 97.5 % | ≈ 88′ | Relief | 73 % | 64 % | 58 % | 41 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Nancy Cross
Susan
Hooded Man (Mark)
Young Man
Man (Prospective Buyer)
Police Officer
Proctor
Zach Hartley
Details
- Directed by
- Jean-Marc Piché
- Written by
- Douglas Soesbe
- Type
- Movies
- Released
- 2011
- Runtime
- 90 min
- Country
- Canada
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





