feeldb

Summertime

1955 · 100 min · Director: David Lean ★ IMDb 7.1 · 11,688 ratings

Show plot summary (may contain spoilers)

Middle-aged Ohio secretary Jane Hudson has never found love and has nearly resigned herself to spending the rest of her life alone. But before she does, she uses her savings to finance a summer in romantic Venice, where she finally meets the man of her dreams, the elegant Renato Di Rossi.

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Emotional fingerprint

Summertime (1955) — Movie. Top emotional signals: Love 35%, Sadness 25%, Nostalgia 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Love35%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Love, Sadness, Nostalgia. Genres: Drama, Romance. AI estimate.

Is it worth watching?

Consider this title if you are looking for Love, Sadness and Nostalgia. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.

How did it make you feel?

Votes are saved to the fingerprint once you’re signed in.

Pick up to three · 0/3

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Emotional journey

AI · from subtitlesapproximate
  • Love
  • Sadness
  • Joy

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Anticipation

Dominant emotion: Humor

Dominant emotion: Joy

Dominant emotion: Sadness

Dominant emotion: Love

Love
Sadness
Joy
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidenceNot enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 33 %, then dips around 43 %, then peaks around 78 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityLoveSadnessJoy
2.5 %≈ 3′Anticipation45 %0 %0 %30 %
7.5 %≈ 8′Humor40 %0 %0 %29 %
12.5 %≈ 13′Joy39 %3 %5 %28 %
17.5 %≈ 18′Humor41 %8 %20 %16 %
22.5 %≈ 23′Sadness43 %10 %33 %7 %
27.5 %≈ 28′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
32.5 %≈ 33′Humor35 %10 %3 %22 %
37.5 %≈ 38′Anticipation36 %18 %8 %23 %
42.5 %≈ 43′Humor35 %15 %8 %18 %
47.5 %≈ 48′Humor41 %18 %8 %19 %
52.5 %≈ 53′Love46 %29 %13 %21 %
57.5 %≈ 58′Humor49 %38 %13 %28 %
62.5 %≈ 63′Love59 %51 %14 %36 %
67.5 %≈ 68′Love63 %49 %28 %26 %
72.5 %≈ 73′Sadness60 %31 %44 %9 %
77.5 %≈ 78′Sadness62 %28 %50 %2 %
82.5 %≈ 83′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
87.5 %≈ 88′Love73 %72 %30 %38 %
92.5 %≈ 93′Love80 %73 %58 %27 %
97.5 %≈ 98′Sadness80 %65 %70 %18 %

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

IM
Isa Miranda

MA
Mari Aldon

JR
Jane Rose

MP
MacDonald Parke

JS
Jeremy Spenser

GA
Gaetano Autiero

VS
Virginia Simeon

AM
André Morell

Englishman in Train Compartment (uncredited)

TL
Tanya Lopert

Teenage Girl

Details

Directed by
David Lean
Written by
David Lean, H. E. Bates
Type
Movies
Released
1955
Runtime
100 min
Country
United Kingdom, United States of America
Genres
Drama, Romance
Ratings
★ IMDb 7.1 · 11,688 ratings
Feels mostly
Love
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.