feeldb

Port of Shadows

1938 · 93 min · Director: Marcel Carné ★ IMDb 7.7 · 11,044 ratings

Show plot summary (may contain spoilers)

Down a foggy, desolate road to the port city of Le Havre travels Jean, an army deserter looking for another chance to make good on life. Fate, however, has a different plan for him, as acts of both revenge and kindness render him front-page news.

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Emotional fingerprint

Port of Shadows (1938) — Movie. Top emotional signals: Melancholy 30%, Love 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Love25%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Melancholy, Love, Tension. Genres: Drama, Romance, Crime. AI estimate.

Is it worth watching?

Consider this title if you are looking for Melancholy, Love and Tension. Its IMDb rating of 7.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Sadness
  • Love

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Sadness

Dominant emotion: Tension

Dominant emotion: Love

Dominant emotion: Hope

Tension
Sadness
Love
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 73 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionSadnessLove
2.5 %≈ 2′Sadness33 %28 %17 %0 %
7.5 %≈ 7′Tension41 %37 %21 %0 %
12.5 %≈ 12′Sadness48 %36 %35 %1 %
17.5 %≈ 16′Sadness51 %28 %45 %10 %
22.5 %≈ 21′Sadness52 %34 %35 %21 %
27.5 %≈ 26′Tension54 %42 %27 %19 %
32.5 %≈ 30′Sadness59 %37 %45 %12 %
37.5 %≈ 35′Sadness66 %45 %54 %12 %
42.5 %≈ 40′Tension70 %62 %37 %15 %
47.5 %≈ 44′Tension64 %58 %24 %21 %
52.5 %≈ 49′Love60 %50 %18 %28 %
57.5 %≈ 53′Tension64 %48 %20 %26 %
62.5 %≈ 58′Hope58 %33 %28 %23 %
67.5 %≈ 63′Hope56 %30 %27 %33 %
72.5 %≈ 67′Love72 %36 %32 %62 %
77.5 %≈ 72′Love82 %42 %51 %73 %
82.5 %≈ 77′Tension81 %62 %62 %58 %
87.5 %≈ 81′Tension84 %81 %57 %48 %
92.5 %≈ 86′Tension89 %88 %48 %43 %
97.5 %≈ 91′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Oedipus

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

MM
Michèle Morgan

ÉD
Édouard Delmont

RA
Raymond Aimos

RL
Robert Le Vigan

RG
René Génin

RG
René Génin

The Doctor

JB
Jenny Burnay

RL
Roger Legris

MR
Martial Rèbe

The Client

MP
Marcel Pérès

le chauffeur

Details

Directed by
Marcel Carné
Written by
Jacques Prévert, Pierre Mac Orlan
Type
Movies
Released
1938
Runtime
93 min
Country
France
Ratings
★ IMDb 7.7 · 11,044 ratings
Feels mostly
Melancholy
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.