The Seduction of Mimi
1972 · 113 min · Director: Lina Wertmüller
Show plot summary (may contain spoilers)
Voting against the Mafia in what he thinks is a secret ballot costs Sicilian laborer Mimi his livelihood. He leaves his wife, flees to Turin and romances a Communist organizer – but he just can’t shake the Mafia. When they lure Mimi back to Sicily with a better job, he must keep his lover – and love child – under wraps. That’s when his wife announces she’s pregnant.
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Emotional fingerprint
The Seduction of Mimi (1972) — Movie. Top emotional signals: Humor 30%, Empathy 25%, Confusion 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Empathy25%
- Confusion20%
- Anger15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Confusion. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Confusion. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 55 % | 33 % | 48 % | 0 % |
| 7.5 % | ≈ 8′ | Humor | 61 % | 31 % | 54 % | 0 % |
| 12.5 % | ≈ 14′ | Tension | 69 % | 23 % | 61 % | 1 % |
| 17.5 % | ≈ 20′ | Tension | 61 % | 23 % | 51 % | 6 % |
| 22.5 % | ≈ 25′ | Humor | 54 % | 38 % | 38 % | 15 % |
| 27.5 % | ≈ 31′ | Humor | 60 % | 48 % | 34 % | 33 % |
| 32.5 % | ≈ 37′ | Love | 68 % | 46 % | 28 % | 57 % |
| 37.5 % | ≈ 42′ | Love | 70 % | 51 % | 23 % | 65 % |
| 42.5 % | ≈ 48′ | Humor | 70 % | 51 % | 35 % | 54 % |
| 47.5 % | ≈ 54′ | Tension | 69 % | 41 % | 55 % | 38 % |
| 52.5 % | ≈ 59′ | Tension | 61 % | 41 % | 53 % | 19 % |
| 57.5 % | ≈ 65′ | Humor | 56 % | 48 % | 43 % | 10 % |
| 62.5 % | ≈ 71′ | Humor | 64 % | 53 % | 51 % | 8 % |
| 67.5 % | ≈ 76′ | Tension | 69 % | 50 % | 59 % | 5 % |
| 72.5 % | ≈ 82′ | Disturbing | 64 % | 43 % | 51 % | 9 % |
| 77.5 % | ≈ 88′ | Humor | 63 % | 44 % | 45 % | 18 % |
| 82.5 % | ≈ 93′ | Disturbing | 68 % | 51 % | 51 % | 18 % |
| 87.5 % | ≈ 99′ | Humor | 72 % | 55 % | 63 % | 10 % |
| 92.5 % | ≈ 105′ | Tension | 77 % | 53 % | 68 % | 10 % |
| 97.5 % | ≈ 110′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Massaro 'Ntoni
Details
- Directed by
- Lina Wertmüller
- Written by
- Lina Wertmüller
- Type
- Movies
- Released
- 1972
- Runtime
- 113 min
- Country
- Italy
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





