Three Outlaw Samurai
1964 · 93 min · Director: Hideo Gosha
Show plot summary (may contain spoilers)
Shiba, a wandering ronin, encounters a band of peasants who have kidnapped the daughter of their dictatorial magistrate, in hopes of coercing from him a reduction in taxes. Shiba takes up their fight, joined by two renegades from the magistrate's guard, Sakura and Kikyo. The three outlaws find themselves in a battle to the death.
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Emotional fingerprint
Three Outlaw Samurai (1964) — Movie. Top emotional signals: Excitement 30%, Empathy 25%, Anger 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Empathy25%
- Anger20%
- Tension15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Empathy, Anger. Genres: Drama, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Empathy and Anger. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Anger
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Anger
Dominant emotion: Hope
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Anger |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 53 % | 52 % | 38 % | 17 % |
| 7.5 % | ≈ 7′ | Empathy | 56 % | 54 % | 43 % | 24 % |
| 12.5 % | ≈ 12′ | Tension | 61 % | 59 % | 40 % | 38 % |
| 17.5 % | ≈ 16′ | Anger | 63 % | 57 % | 41 % | 43 % |
| 22.5 % | ≈ 21′ | Empathy | 65 % | 54 % | 53 % | 31 % |
| 27.5 % | ≈ 26′ | Hope | 66 % | 53 % | 51 % | 30 % |
| 32.5 % | ≈ 30′ | Anger | 65 % | 56 % | 48 % | 44 % |
| 37.5 % | ≈ 35′ | Tension | 71 % | 66 % | 60 % | 55 % |
| 42.5 % | ≈ 40′ | Sadness | 84 % | 79 % | 78 % | 73 % |
| 47.5 % | ≈ 44′ | Anger | 89 % | 81 % | 80 % | 84 % |
| 52.5 % | ≈ 49′ | Anger | 86 % | 75 % | 74 % | 77 % |
| 57.5 % | ≈ 53′ | Sadness | 85 % | 74 % | 71 % | 71 % |
| 62.5 % | ≈ 58′ | Anger | 79 % | 71 % | 64 % | 54 % |
| 67.5 % | ≈ 63′ | Hope | 69 % | 59 % | 59 % | 27 % |
| 72.5 % | ≈ 67′ | Empathy | 61 % | 44 % | 54 % | 20 % |
| 77.5 % | ≈ 72′ | Hope | 61 % | 48 % | 41 % | 28 % |
| 82.5 % | ≈ 77′ | Tension | 75 % | 70 % | 46 % | 35 % |
| 87.5 % | ≈ 81′ | Tension | 85 % | 83 % | 63 % | 30 % |
| 92.5 % | ≈ 86′ | Tension | 83 % | 79 % | 65 % | 33 % |
| 97.5 % | ≈ 91′ | Anger | 80 % | 73 % | 63 % | 50 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Uzaemon Matsushita
Oine
Toranoshin Tanabe
Onda
Kaneko
Kawai Tetsuzo
Gosaku
Details
- Directed by
- Hideo Gosha
- Written by
- Hideo Gosha, Keiichi Abe, Eizaburo Shiba
- Type
- Movies
- Released
- 1964
- Runtime
- 93 min
- Country
- Japan
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
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Data: JustWatch
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