Hatari!
1962 · 157 min · Director: Howard Hawks
Show plot summary (may contain spoilers)
A female wildlife photographer arrives on an East African reservation where a group of men trap wild animals for zoos and circuses.
Emotional fingerprint
Hatari! (1962) — Movie. Top emotional signals: Excitement 30%, Humor 25%, Fear 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Humor25%
- Fear15%
- Empathy15%
- Satisfaction15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Humor, Fear. Genres: Comedy, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Humor and Fear. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Tension | 56 % | 7 % | 54 % | 6 % |
| 7.5 % | ≈ 12′ | Tension | 50 % | 18 % | 41 % | 9 % |
| 12.5 % | ≈ 20′ | Humor | 43 % | 28 % | 28 % | 6 % |
| 17.5 % | ≈ 27′ | Tension | 45 % | 34 % | 32 % | 6 % |
| 22.5 % | ≈ 35′ | Humor | 47 % | 40 % | 30 % | 9 % |
| 27.5 % | ≈ 43′ | Humor | 40 % | 35 % | 19 % | 8 % |
| 32.5 % | ≈ 51′ | Humor | 37 % | 31 % | 23 % | 10 % |
| 37.5 % | ≈ 59′ | Humor | 41 % | 33 % | 29 % | 10 % |
| 42.5 % | ≈ 67′ | Sympathy | 43 % | 34 % | 23 % | 12 % |
| 47.5 % | ≈ 75′ | Humor | 46 % | 39 % | 21 % | 17 % |
| 52.5 % | ≈ 82′ | Love | 46 % | 39 % | 26 % | 13 % |
| 57.5 % | ≈ 90′ | Humor | 43 % | 38 % | 27 % | 8 % |
| 62.5 % | ≈ 98′ | Humor | 48 % | 36 % | 33 % | 13 % |
| 67.5 % | ≈ 106′ | Tension | 54 % | 36 % | 41 % | 23 % |
| 72.5 % | ≈ 114′ | Humor | 57 % | 47 % | 33 % | 28 % |
| 77.5 % | ≈ 122′ | Humor | 56 % | 46 % | 30 % | 31 % |
| 82.5 % | ≈ 130′ | Tension | 54 % | 27 % | 43 % | 32 % |
| 87.5 % | ≈ 137′ | Tension | 52 % | 22 % | 46 % | 25 % |
| 92.5 % | ≈ 145′ | Sympathy | 49 % | 32 % | 36 % | 13 % |
| 97.5 % | ≈ 153′ | Humor | 47 % | 39 % | 30 % | 9 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Joseph (uncredited)
Radio Operator (voice) (uncredited)
(uncredited)
Sikh Clerk (uncredited)
Bartender (uncredited)
Man (uncredited)
Details
- Directed by
- Howard Hawks
- Written by
- Leigh Brackett, Howard Hawks, Harry Kurnitz
- Type
- Movies
- Released
- 1962
- Runtime
- 157 min
- Country
- United States of America
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
