feeldb

The Lovers

1958 · 91 min · Director: Louis Malle ★ IMDb 7.1 · 6,489 ratings

Show plot summary (may contain spoilers)

A shallow, provincial wife finds her relationship with her preoccupied husband strained by romantic notions, leading her further towards Paris and the country wilderness.

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Emotional fingerprint

The Lovers (1958) — Movie. Top emotional signals: Melancholy 30%, Love 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Love25%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Melancholy, Love, Sadness. Genres: Drama, Romance. AI estimate.

Is it worth watching?

Consider this title if you are looking for Melancholy, Love and Sadness. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Love
  • Happiness
  • Melancholy

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Happiness

Dominant emotion: Love

Dominant emotion: Melancholy

Dominant emotion: Humor

Dominant emotion: Tension

Love
Happiness
Melancholy
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 78 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityLoveHappinessMelancholy
2.5 %≈ 2′Happiness33 %18 %27 %15 %
7.5 %≈ 7′Love36 %21 %23 %19 %
12.5 %≈ 11′Melancholy38 %13 %13 %28 %
17.5 %≈ 16′Melancholy38 %9 %10 %30 %
22.5 %≈ 20′Humor40 %20 %14 %24 %
27.5 %≈ 25′Love45 %26 %13 %18 %
32.5 %≈ 30′Tension45 %18 %10 %10 %
37.5 %≈ 34′Humor43 %9 %13 %4 %
42.5 %≈ 39′Humor44 %9 %16 %4 %
47.5 %≈ 43′Humor45 %10 %16 %9 %
52.5 %≈ 48′Humor45 %10 %11 %15 %
57.5 %≈ 52′Humor48 %10 %5 %25 %
62.5 %≈ 57′Melancholy49 %15 %5 %34 %
67.5 %≈ 61′Love51 %34 %20 %24 %
72.5 %≈ 66′Love59 %53 %34 %11 %
77.5 %≈ 71′Love60 %55 %30 %12 %
82.5 %≈ 75′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
87.5 %≈ 80′Love80 %78 %58 %17 %
92.5 %≈ 84′Love78 %73 %48 %32 %
97.5 %≈ 89′Love73 %65 %38 %50 %
Rags to riches

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

Jeanne Moreau

Jeanne Tournier

JB
Jean-Marc Bory

JM
Judith Magre

JM
Judith Magre

Maggy Thiebaut-Leroy

MG
Michèle Girardon

CM
Claude Mansard

GL
Georgette Lobre

LH
Lucienne Hamon

GG
Gib Grossac

Jean-Claude Brialy

Boy on a ride (uncredited)

PM
Patricia Maurin

Catherine, daughter of Jeanne (uncredited)

Details

Directed by
Louis Malle
Written by
Louise de Vilmorin, Dominique Vivant
Type
Movies
Released
1958
Runtime
91 min
Country
France
Genres
Drama, Romance
Ratings
★ IMDb 7.1 · 6,489 ratings
Feels mostly
Melancholy
Data updated

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Emotion overlap shows mood similarity, not a prediction of enjoyment.