Anastasia
1956 · 105 min · Director: Anatole Litvak
Show plot summary (may contain spoilers)
Russian exiles in Paris plot to collect ten million pounds from the Bank of England by grooming a destitute, suicidal girl to pose as heir to the Russian throne. While Bounin is coaching her, he comes to believe that she is really Anastasia. In the end, the Empress must decide her claim.
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Emotional fingerprint
Anastasia (1956) — Movie. Top emotional signals: Awe 30%, Sadness 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Awe, Sadness, Love. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Awe, Sadness and Love. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 38 % | 38 % | 12 % | 32 % |
| 7.5 % | ≈ 8′ | Curiosity | 45 % | 46 % | 21 % | 36 % |
| 12.5 % | ≈ 13′ | Curiosity | 48 % | 51 % | 23 % | 36 % |
| 17.5 % | ≈ 18′ | Curiosity | 50 % | 54 % | 25 % | 39 % |
| 22.5 % | ≈ 24′ | Curiosity | 54 % | 54 % | 35 % | 45 % |
| 27.5 % | ≈ 29′ | Curiosity | 57 % | 48 % | 43 % | 50 % |
| 32.5 % | ≈ 34′ | Tension | 57 % | 40 % | 41 % | 53 % |
| 37.5 % | ≈ 39′ | Tension | 51 % | 41 % | 33 % | 49 % |
| 42.5 % | ≈ 45′ | Curiosity | 45 % | 44 % | 25 % | 39 % |
| 47.5 % | ≈ 50′ | Humor | 48 % | 41 % | 33 % | 35 % |
| 52.5 % | ≈ 55′ | Sadness | 54 % | 39 % | 45 % | 39 % |
| 57.5 % | ≈ 60′ | Humor | 54 % | 34 % | 33 % | 33 % |
| 62.5 % | ≈ 66′ | Humor | 59 % | 34 % | 25 % | 34 % |
| 67.5 % | ≈ 71′ | Sadness | 70 % | 48 % | 50 % | 55 % |
| 72.5 % | ≈ 76′ | Sadness | 70 % | 54 % | 55 % | 57 % |
| 77.5 % | ≈ 81′ | Love | 61 % | 44 % | 32 % | 46 % |
| 82.5 % | ≈ 87′ | Tension | 57 % | 40 % | 27 % | 50 % |
| 87.5 % | ≈ 92′ | Curiosity | 57 % | 43 % | 34 % | 48 % |
| 92.5 % | ≈ 97′ | Love | 60 % | 43 % | 31 % | 32 % |
| 97.5 % | ≈ 102′ | Love | 62 % | 43 % | 23 % | 22 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Stepan
Marusia
Maxime
Details
- Directed by
- Anatole Litvak
- Written by
- Arthur Laurents
- Type
- Movies
- Released
- 1956
- Runtime
- 105 min
- Country
- United States of America
- Ratings
- Feels mostly
- Awe
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.




