feeldb

Anastasia

1956 · 105 min · Director: Anatole Litvak ★ IMDb 7 · 10,436 ratings

Show plot summary (may contain spoilers)

Russian exiles in Paris plot to collect ten million pounds from the Bank of England by grooming a destitute, suicidal girl to pose as heir to the Russian throne. While Bounin is coaching her, he comes to believe that she is really Anastasia. In the end, the Empress must decide her claim.

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Emotional fingerprint

Anastasia (1956) — Movie. Top emotional signals: Awe 30%, Sadness 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

30%Awe
20%Love
  1. Awe30%
  2. Love20%
  3. Hope10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Awe, Sadness, Love. Genres: Drama, Romance. AI estimate.

Is it worth watching?

Consider this title if you are looking for Awe, Sadness and Love. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Curiosity
  • Sadness
  • Tension

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Tension

Dominant emotion: Humor

Dominant emotion: Sadness

Dominant emotion: Love

Curiosity
Sadness
Tension
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 68 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityCuriositySadnessTension
2.5 %≈ 3′Curiosity38 %38 %12 %32 %
7.5 %≈ 8′Curiosity45 %46 %21 %36 %
12.5 %≈ 13′Curiosity48 %51 %23 %36 %
17.5 %≈ 18′Curiosity50 %54 %25 %39 %
22.5 %≈ 24′Curiosity54 %54 %35 %45 %
27.5 %≈ 29′Curiosity57 %48 %43 %50 %
32.5 %≈ 34′Tension57 %40 %41 %53 %
37.5 %≈ 39′Tension51 %41 %33 %49 %
42.5 %≈ 45′Curiosity45 %44 %25 %39 %
47.5 %≈ 50′Humor48 %41 %33 %35 %
52.5 %≈ 55′Sadness54 %39 %45 %39 %
57.5 %≈ 60′Humor54 %34 %33 %33 %
62.5 %≈ 66′Humor59 %34 %25 %34 %
67.5 %≈ 71′Sadness70 %48 %50 %55 %
72.5 %≈ 76′Sadness70 %54 %55 %57 %
77.5 %≈ 81′Love61 %44 %32 %46 %
82.5 %≈ 87′Tension57 %40 %27 %50 %
87.5 %≈ 92′Curiosity57 %43 %34 %48 %
92.5 %≈ 97′Love60 %43 %31 %32 %
97.5 %≈ 102′Love62 %43 %23 %22 %
Rags to riches

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

GG
Grégoire Gromoff

GG
Grégoire Gromoff

Stepan

KS
Karl Stepanek

Mikhail Vlados

ID
Ina De La Haye

Marusia

KK
Katherine Kath

Maxime

Peter Sallis

Grischa (uncredited)

Details

Directed by
Anatole Litvak
Written by
Arthur Laurents
Type
Movies
Released
1956
Runtime
105 min
Country
United States of America
Genres
Drama, Romance
Ratings
★ IMDb 7 · 10,436 ratings
Feels mostly
Awe
Data updated

Where to watch

Also on

Availability varies by country

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.