The Big Parade
1925 · 151 min · Director: King Vidor
Show plot summary (may contain spoilers)
The story of an idle rich boy who joins the US Army's Rainbow Division and is sent to France to fight in World War I, becomes friends with two working class men, experiences the horrors of trench warfare, and finds love with a French girl.
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Emotional fingerprint
The Big Parade (1925) — Movie. Top emotional signals: Sadness 35%, Empathy 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Tension. Genres: Drama, Romance, War. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Tension. Its IMDb rating of 7.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Humor | 32 % | 17 % | 3 % | 13 % |
| 7.5 % | ≈ 11′ | Tension | 41 % | 19 % | 6 % | 19 % |
| 12.5 % | ≈ 19′ | Humor | 48 % | 19 % | 6 % | 14 % |
| 17.5 % | ≈ 26′ | Humor | 49 % | 16 % | 5 % | 6 % |
| 22.5 % | ≈ 34′ | Humor | 53 % | 14 % | 4 % | 5 % |
| 27.5 % | ≈ 42′ | Humor | 55 % | 12 % | 2 % | 5 % |
| 32.5 % | ≈ 49′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 37.5 % | ≈ 57′ | Humor | 52 % | 15 % | 7 % | 15 % |
| 42.5 % | ≈ 64′ | Humor | 51 % | 20 % | 9 % | 20 % |
| 47.5 % | ≈ 72′ | Humor | 48 % | 28 % | 17 % | 22 % |
| 52.5 % | ≈ 79′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 57.5 % | ≈ 87′ | Tension | 72 % | 33 % | 25 % | 68 % |
| 62.5 % | ≈ 94′ | Tension | 73 % | 32 % | 20 % | 72 % |
| 67.5 % | ≈ 102′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 72.5 % | ≈ 109′ | Tension | 83 % | 62 % | 48 % | 78 % |
| 77.5 % | ≈ 117′ | Empathy | 89 % | 76 % | 69 % | 80 % |
| 82.5 % | ≈ 125′ | Sadness | 93 % | 85 % | 85 % | 78 % |
| 87.5 % | ≈ 132′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 92.5 % | ≈ 140′ | Empathy | 72 % | 63 % | 38 % | 20 % |
| 97.5 % | ≈ 147′ | Love | 78 % | 67 % | 37 % | 15 % |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Justine Devereux (uncredited)
Miss Apperson (uncredited)
Doughboy (uncredited)
Dying German
Doughboy
Second Patriotic Letter Reader
Officer
Details
- Directed by
- King Vidor
- Written by
- Harry Behn
- Type
- Movies
- Released
- 1925
- Runtime
- 151 min
- Country
- United States of America
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Free
Rent
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





