Lola Montès
1955 · 116 min · Director: Max Ophüls
Show plot summary (may contain spoilers)
Lola Montes, previously a great adventuress, is reduced to being the attraction of a circus after having been the lover of various important men.
Emotional fingerprint
Lola Montès (1955) — Movie. Top emotional signals: Melancholy 30%, Empathy 25%, Awe 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy30%
- Empathy25%
- Awe20%
- Sadness15%
- Confusion10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Empathy, Awe. Genres: Drama, Romance, History. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Empathy and Awe. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sympathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 50 % | 30 % | 17 % | 23 % |
| 7.5 % | ≈ 9′ | Curiosity | 49 % | 34 % | 24 % | 23 % |
| 12.5 % | ≈ 15′ | Sadness | 49 % | 35 % | 38 % | 20 % |
| 17.5 % | ≈ 20′ | Sadness | 50 % | 39 % | 44 % | 16 % |
| 22.5 % | ≈ 26′ | Sympathy | 45 % | 40 % | 35 % | 20 % |
| 27.5 % | ≈ 32′ | Sympathy | 40 % | 34 % | 23 % | 29 % |
| 32.5 % | ≈ 38′ | Curiosity | 41 % | 31 % | 18 % | 34 % |
| 37.5 % | ≈ 44′ | Sympathy | 44 % | 36 % | 20 % | 36 % |
| 42.5 % | ≈ 49′ | Sympathy | 48 % | 41 % | 23 % | 39 % |
| 47.5 % | ≈ 55′ | Curiosity | 53 % | 41 % | 23 % | 44 % |
| 52.5 % | ≈ 61′ | Tension | 51 % | 38 % | 23 % | 44 % |
| 57.5 % | ≈ 67′ | Curiosity | 45 % | 30 % | 18 % | 33 % |
| 62.5 % | ≈ 73′ | Humor | 45 % | 24 % | 11 % | 23 % |
| 67.5 % | ≈ 78′ | Humor | 48 % | 20 % | 10 % | 18 % |
| 72.5 % | ≈ 84′ | Humor | 50 % | 20 % | 14 % | 25 % |
| 77.5 % | ≈ 90′ | Tension | 60 % | 32 % | 26 % | 51 % |
| 82.5 % | ≈ 96′ | Tension | 68 % | 46 % | 36 % | 63 % |
| 87.5 % | ≈ 102′ | Sympathy | 70 % | 59 % | 49 % | 55 % |
| 92.5 % | ≈ 107′ | Sadness | 80 % | 76 % | 69 % | 61 % |
| 97.5 % | ≈ 113′ | Sympathy | 87 % | 85 % | 75 % | 70 % |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Lola Montès. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Doctor
Steward
Circus Manager
Wisböck, the Artist
Circus Rider (uncredited)
(uncredited)
Man in the Box (uncredited)
Bulgakov (uncredited)
Details
- Directed by
- Max Ophüls
- Written by
- Annette Wademant, Max Ophüls, Jacques Laurent, Jacques Natanson, Franz Geiger
- Type
- Movies
- Released
- 1955
- Runtime
- 116 min
- Country
- France, Germany
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
