Grand Hotel
1932 · 112 min · Director: Edmund Goulding
Show plot summary (may contain spoilers)
Guests at a posh Berlin hotel struggle through worry, scandal, and heartache.
Emotional fingerprint
Grand Hotel (1932) — Movie. Top emotional signals: Nostalgia 28%, Empathy 24%, Humor 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Nostalgia28%
- Empathy24%
- Humor20%
- Sadness16%
- Satisfaction12%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Nostalgia, Empathy, Humor. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Nostalgia, Empathy and Humor. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sympathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion: Joy
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sympathy | 30 % | 20 % | 15 % | 25 % |
| 7.5 % | ≈ 8′ | Tension | 28 % | 15 % | 9 % | 16 % |
| 12.5 % | ≈ 14′ | Joy | 36 % | 23 % | 16 % | 11 % |
| 17.5 % | ≈ 20′ | Sadness | 49 % | 39 % | 35 % | 23 % |
| 22.5 % | ≈ 25′ | Sympathy | 49 % | 36 % | 33 % | 36 % |
| 27.5 % | ≈ 31′ | Tension | 53 % | 35 % | 31 % | 46 % |
| 32.5 % | ≈ 36′ | Sadness | 65 % | 51 % | 46 % | 54 % |
| 37.5 % | ≈ 42′ | Sympathy | 59 % | 46 % | 38 % | 45 % |
| 42.5 % | ≈ 48′ | Love | 50 % | 28 % | 18 % | 31 % |
| 47.5 % | ≈ 53′ | Love | 57 % | 23 % | 14 % | 28 % |
| 52.5 % | ≈ 59′ | Joy | 59 % | 25 % | 19 % | 28 % |
| 57.5 % | ≈ 64′ | Love | 59 % | 39 % | 26 % | 35 % |
| 62.5 % | ≈ 70′ | Sympathy | 59 % | 48 % | 27 % | 44 % |
| 67.5 % | ≈ 76′ | Sympathy | 54 % | 40 % | 23 % | 39 % |
| 72.5 % | ≈ 81′ | Joy | 60 % | 44 % | 24 % | 40 % |
| 77.5 % | ≈ 87′ | Sympathy | 73 % | 54 % | 29 % | 59 % |
| 82.5 % | ≈ 92′ | Tension | 83 % | 59 % | 43 % | 69 % |
| 87.5 % | ≈ 98′ | Sadness | 85 % | 69 % | 65 % | 58 % |
| 92.5 % | ≈ 104′ | Sympathy | 80 % | 74 % | 70 % | 40 % |
| 97.5 % | ≈ 109′ | Sympathy | 78 % | 73 % | 65 % | 30 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Suzette
Chauffeur
Schweimann
Hotel Manager (uncredited)
Hotel Guest / Gambler (uncredited)
Details
- Directed by
- Edmund Goulding
- Written by
- Edgar Allan Woolf, Vicki Baum, Béla Balázs
- Type
- Movies
- Released
- 1932
- Runtime
- 112 min
- Country
- United States of America
- Ratings
- Feels mostly
- Nostalgia
- Data updated
Where to watch
Free
Rent
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