Paris When It Sizzles
1964 · 110 min · Director: Richard Quine
Show plot summary (may contain spoilers)
Hollywood producer Alexander Meyerheimer has hired drunken writer Richard Benson to write his latest movie. Benson has been in Paris supposedly working on the script for months, but instead has spent the time living it up. Benson now has just two days to the deadline and thus hires a temporary secretary, Gabrielle Simpson, to help him finish on time.
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Emotional fingerprint
Paris When It Sizzles (1964) — Movie. Top emotional signals: Humor 35%, Love 22%, Curiosity 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Love22%
- Curiosity18%
- Anticipation15%
- Happiness10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Curiosity. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Curiosity. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Love
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Love | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 40 % | 40 % | 3 % | 27 % |
| 7.5 % | ≈ 8′ | Humor | 48 % | 48 % | 10 % | 33 % |
| 12.5 % | ≈ 14′ | Humor | 54 % | 54 % | 18 % | 31 % |
| 17.5 % | ≈ 19′ | Humor | 53 % | 53 % | 19 % | 30 % |
| 22.5 % | ≈ 25′ | Humor | 50 % | 50 % | 14 % | 36 % |
| 27.5 % | ≈ 30′ | Humor | 50 % | 50 % | 15 % | 39 % |
| 32.5 % | ≈ 36′ | Humor | 48 % | 46 % | 27 % | 33 % |
| 37.5 % | ≈ 41′ | Love | 50 % | 44 % | 30 % | 26 % |
| 42.5 % | ≈ 47′ | Humor | 54 % | 41 % | 22 % | 25 % |
| 47.5 % | ≈ 52′ | Love | 49 % | 35 % | 31 % | 24 % |
| 52.5 % | ≈ 58′ | Love | 45 % | 36 % | 37 % | 26 % |
| 57.5 % | ≈ 63′ | Humor | 45 % | 41 % | 26 % | 34 % |
| 62.5 % | ≈ 69′ | Humor | 48 % | 42 % | 28 % | 39 % |
| 67.5 % | ≈ 74′ | Humor | 51 % | 46 % | 40 % | 36 % |
| 72.5 % | ≈ 80′ | Love | 54 % | 50 % | 42 % | 31 % |
| 77.5 % | ≈ 85′ | Humor | 56 % | 53 % | 32 % | 34 % |
| 82.5 % | ≈ 91′ | Humor | 57 % | 48 % | 26 % | 36 % |
| 87.5 % | ≈ 96′ | Sadness | 59 % | 33 % | 29 % | 29 % |
| 92.5 % | ≈ 102′ | Sadness | 65 % | 29 % | 39 % | 19 % |
| 97.5 % | ≈ 107′ | Love | 72 % | 41 % | 55 % | 15 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Philippe (uncredited)
Details
- Directed by
- Richard Quine
- Written by
- George Axelrod
- Type
- Movies
- Released
- 1964
- Runtime
- 110 min
- Country
- United States of America
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





