Cimarron
1931 · 123 min · Director: Wesley Ruggles
Show plot summary (may contain spoilers)
When the government opens up the Oklahoma territory for settlement, restless Yancey Cravat claims a plot of the free land for himself and moves his family there from Wichita. A newspaperman, lawyer, and just about everything else, Cravat soon becomes a leading citizen of the boom town of Osage. Once the town is established, however, he begins to feel confined once again, and heads for the Cherokee Strip, leaving his family behind. During this and other absences, his wife Sabra must learn to take care of herself and soon becomes prominent in her own right.
Emotional fingerprint
Cimarron (1931) — Movie. Top emotional signals: Empathy 30%, Melancholy 25%, Inspiration 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Melancholy25%
- Inspiration20%
- Nostalgia15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Melancholy, Inspiration. Genres: Drama, Western. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Melancholy and Inspiration. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Inspiration
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 42 % | 12 % | 3 % | 29 % |
| 7.5 % | ≈ 9′ | Humor | 43 % | 21 % | 7 % | 28 % |
| 12.5 % | ≈ 15′ | Inspiration | 45 % | 30 % | 11 % | 31 % |
| 17.5 % | ≈ 22′ | Tension | 46 % | 31 % | 14 % | 38 % |
| 22.5 % | ≈ 28′ | Tension | 46 % | 32 % | 14 % | 41 % |
| 27.5 % | ≈ 34′ | Tension | 53 % | 36 % | 11 % | 49 % |
| 32.5 % | ≈ 40′ | Tension | 55 % | 31 % | 8 % | 46 % |
| 37.5 % | ≈ 46′ | Humor | 49 % | 23 % | 7 % | 32 % |
| 42.5 % | ≈ 52′ | Tension | 53 % | 26 % | 11 % | 42 % |
| 47.5 % | ≈ 58′ | Tension | 66 % | 44 % | 29 % | 56 % |
| 52.5 % | ≈ 65′ | Sadness | 66 % | 54 % | 45 % | 49 % |
| 57.5 % | ≈ 71′ | Sadness | 54 % | 48 % | 43 % | 36 % |
| 62.5 % | ≈ 77′ | Sadness | 53 % | 46 % | 38 % | 29 % |
| 67.5 % | ≈ 83′ | Empathy | 60 % | 53 % | 35 % | 31 % |
| 72.5 % | ≈ 89′ | Empathy | 66 % | 61 % | 39 % | 45 % |
| 77.5 % | ≈ 95′ | Empathy | 64 % | 61 % | 40 % | 45 % |
| 82.5 % | ≈ 101′ | Humor | 55 % | 50 % | 34 % | 38 % |
| 87.5 % | ≈ 108′ | Sadness | 60 % | 49 % | 38 % | 32 % |
| 92.5 % | ≈ 114′ | Inspiration | 73 % | 59 % | 50 % | 28 % |
| 97.5 % | ≈ 120′ | Sadness | 80 % | 70 % | 65 % | 36 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Cimarron. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Donna Cravat (as Nancy Dover)
Isaiah
Sabra's Luncheon Greeter (uncredited)
(uncredited)
Man Phoning Ambulance (uncredited)
Killer (uncredited)
Details
- Directed by
- Wesley Ruggles
- Written by
- Edna Ferber, Howard Estabrook
- Type
- Movies
- Released
- 1931
- Runtime
- 123 min
- Country
- United States of America
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
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Rent
Feels similar
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