Leave Her to Heaven
1945 · 110 min · Director: John M. Stahl
Show plot summary (may contain spoilers)
A socialite marries a prominent novelist, which spurs a violent, obsessive, and dangerous jealousy in her.
Emotional fingerprint
Leave Her to Heaven (1945) — Movie. Top emotional signals: Anxiety 35%, Fear 25%, Disturbing 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety35%
- Fear25%
- Disturbing20%
- Sadness10%
- Envy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Fear, Disturbing. Genres: Thriller, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Fear and Disturbing. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sadness
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sadness | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 43 % | 15 % | 28 % | 42 % |
| 7.5 % | ≈ 8′ | Love | 39 % | 10 % | 16 % | 36 % |
| 12.5 % | ≈ 14′ | Curiosity | 41 % | 14 % | 15 % | 36 % |
| 17.5 % | ≈ 19′ | Love | 44 % | 20 % | 18 % | 33 % |
| 22.5 % | ≈ 25′ | Love | 44 % | 24 % | 13 % | 26 % |
| 27.5 % | ≈ 30′ | Tension | 50 % | 30 % | 10 % | 23 % |
| 32.5 % | ≈ 36′ | Love | 54 % | 29 % | 9 % | 20 % |
| 37.5 % | ≈ 41′ | Love | 48 % | 29 % | 9 % | 24 % |
| 42.5 % | ≈ 47′ | Tension | 43 % | 35 % | 13 % | 28 % |
| 47.5 % | ≈ 52′ | Tension | 48 % | 43 % | 19 % | 28 % |
| 52.5 % | ≈ 58′ | Tension | 61 % | 56 % | 24 % | 26 % |
| 57.5 % | ≈ 63′ | Tension | 68 % | 59 % | 29 % | 24 % |
| 62.5 % | ≈ 69′ | Sadness | 65 % | 50 % | 34 % | 23 % |
| 67.5 % | ≈ 74′ | Disturbing | 74 % | 53 % | 45 % | 21 % |
| 72.5 % | ≈ 80′ | Sadness | 83 % | 60 % | 60 % | 28 % |
| 77.5 % | ≈ 85′ | Tension | 79 % | 64 % | 61 % | 38 % |
| 82.5 % | ≈ 91′ | Sadness | 74 % | 64 % | 53 % | 43 % |
| 87.5 % | ≈ 96′ | Tension | 73 % | 66 % | 39 % | 51 % |
| 92.5 % | ≈ 102′ | Tension | 74 % | 70 % | 35 % | 55 % |
| 97.5 % | ≈ 107′ | Tension | 77 % | 70 % | 43 % | 52 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
The Judge (uncredited)
Sheriff (uncredited)
Cook at Robie's Ranch (uncredited)
Mrs. Louise Robie (uncredited)
Catterson - the Chemist (uncredited)
Details
- Directed by
- John M. Stahl
- Written by
- Jo Swerling, Ben Ames Williams, Jo Swerling
- Type
- Movies
- Released
- 1945
- Runtime
- 110 min
- Country
- United States of America
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
