Emotional fingerprint
Branded to Kill (1967) — Movie. Top emotional signals: Confusion 30%, Excitement 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Confusion30%
- Excitement25%
- Tension20%
- Surprise15%
- Curiosity10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Confusion, Excitement, Tension. Genres: Thriller, Crime, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Confusion, Excitement and Tension. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Disturbing
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 43 % | 27 % | 13 % | 43 % |
| 7.5 % | ≈ 7′ | Curiosity | 55 % | 45 % | 19 % | 45 % |
| 12.5 % | ≈ 11′ | Tension | 65 % | 63 % | 16 % | 36 % |
| 17.5 % | ≈ 16′ | Tension | 68 % | 68 % | 13 % | 32 % |
| 22.5 % | ≈ 20′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 27.5 % | ≈ 25′ | Humor | 45 % | 37 % | 22 % | 38 % |
| 32.5 % | ≈ 30′ | Curiosity | 56 % | 51 % | 30 % | 46 % |
| 37.5 % | ≈ 34′ | Tension | 69 % | 66 % | 48 % | 46 % |
| 42.5 % | ≈ 39′ | Disturbing | 73 % | 69 % | 60 % | 38 % |
| 47.5 % | ≈ 43′ | Tension | 74 % | 70 % | 58 % | 36 % |
| 52.5 % | ≈ 48′ | Tension | 74 % | 71 % | 50 % | 44 % |
| 57.5 % | ≈ 52′ | Tension | 76 % | 71 % | 57 % | 45 % |
| 62.5 % | ≈ 57′ | Disturbing | 83 % | 75 % | 73 % | 43 % |
| 67.5 % | ≈ 61′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 72.5 % | ≈ 66′ | Tension | 83 % | 83 % | 47 % | 50 % |
| 77.5 % | ≈ 71′ | Tension | 80 % | 79 % | 45 % | 43 % |
| 82.5 % | ≈ 75′ | Tension | 77 % | 75 % | 41 % | 46 % |
| 87.5 % | ≈ 80′ | Tension | 78 % | 77 % | 42 % | 53 % |
| 92.5 % | ≈ 84′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 89′ | Tension | 85 % | 85 % | 65 % | 50 % |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Branded to Kill. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
No. 1
Optometrist
Jeweler
Details
- Directed by
- Seijun Suzuki
- Written by
- Seijun Suzuki, Atsushi Yamatoya, Chūsei Sone, Seiichirō Yamaguchi, Yasuaki Hangai, Yōzō Tanaka, Takeo Kimura, Yutaka Okada
- Type
- Movies
- Released
- 1967
- Runtime
- 91 min
- Country
- Japan
- Ratings
- Feels mostly
- Confusion
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
