Air Bud: Golden Receiver
1998 · 90 min · Director: Richard Martin
Show plot summary (may contain spoilers)
Josh and Buddy move from basketball to football in this first of several sequels to the original Air Bud.
Your viewing check-in
Emotional fingerprint
Air Bud: Golden Receiver (1998) — Movie. Top emotional signals: Smile 35%, Humor 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Smile35%
- Humor25%
- Love20%
- Inspiration10%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Smile, Humor, Love. Genres: Comedy, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Smile, Humor and Love. Its IMDb rating of 4.6/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 56/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Excitement
- Humor
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Excitement
Dominant emotion: Humor
Dominant emotion: Joy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Excitement | Humor | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Excitement | 43 % | 33 % | 37 % | 27 % |
| 7.5 % | ≈ 7′ | Humor | 46 % | 26 % | 44 % | 20 % |
| 12.5 % | ≈ 11′ | Humor | 49 % | 21 % | 49 % | 14 % |
| 17.5 % | ≈ 16′ | Humor | 50 % | 26 % | 50 % | 14 % |
| 22.5 % | ≈ 20′ | Humor | 45 % | 24 % | 45 % | 14 % |
| 27.5 % | ≈ 25′ | Humor | 40 % | 21 % | 38 % | 19 % |
| 32.5 % | ≈ 29′ | Joy | 45 % | 35 % | 37 % | 28 % |
| 37.5 % | ≈ 34′ | Excitement | 53 % | 48 % | 41 % | 28 % |
| 42.5 % | ≈ 38′ | Excitement | 53 % | 48 % | 41 % | 26 % |
| 47.5 % | ≈ 43′ | Humor | 50 % | 45 % | 39 % | 26 % |
| 52.5 % | ≈ 47′ | Excitement | 55 % | 50 % | 35 % | 35 % |
| 57.5 % | ≈ 52′ | Joy | 63 % | 44 % | 25 % | 40 % |
| 62.5 % | ≈ 56′ | Sadness | 63 % | 24 % | 14 % | 24 % |
| 67.5 % | ≈ 61′ | Sadness | 57 % | 25 % | 21 % | 14 % |
| 72.5 % | ≈ 65′ | Humor | 58 % | 41 % | 45 % | 16 % |
| 77.5 % | ≈ 70′ | Humor | 64 % | 53 % | 57 % | 29 % |
| 82.5 % | ≈ 74′ | Excitement | 70 % | 61 % | 46 % | 45 % |
| 87.5 % | ≈ 79′ | Excitement | 74 % | 63 % | 26 % | 54 % |
| 92.5 % | ≈ 83′ | Joy | 69 % | 46 % | 16 % | 56 % |
| 97.5 % | ≈ 88′ | Joy | 58 % | 25 % | 15 % | 50 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Popov
Principal Salter
Andrea Framm
Oliver
Goose
Juan
Weeble
J.D.
Cole Powers
Pudge
Giants Quarterback
Details
- Directed by
- Richard Martin
- Written by
- Paul Tamasy, Aaron Mendelsohn, Aaron Mendelsohn
- Type
- Movies
- Released
- 1998
- Runtime
- 90 min
- Country
- Canada, United States of America
- Ratings
- Feels mostly
- Smile
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





