The Stepford Wives
1975 · 117 min · Director: Bryan Forbes, Bryan Forbes
Show plot summary (may contain spoilers)
Joanna Eberhart comes to the town of Stepford, Connecticut with her family, but soon discovers there lies a sinister truth in the all too perfect behavior of the female residents.
Emotional fingerprint
The Stepford Wives (1975) — Movie. Top emotional signals: Fear 34%, Anxiety 26%, Disturbing 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Fear34%
- Anxiety26%
- Disturbing18%
- Confusion12%
- Tension10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Anxiety, Disturbing. Genres: Thriller, Mystery, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Anxiety and Disturbing. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Disturbing
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 30 % | 5 % | 2 % | 0 % |
| 7.5 % | ≈ 9′ | Humor | 31 % | 10 % | 5 % | 1 % |
| 12.5 % | ≈ 15′ | Curiosity | 36 % | 24 % | 11 % | 8 % |
| 17.5 % | ≈ 20′ | Tension | 44 % | 29 % | 14 % | 11 % |
| 22.5 % | ≈ 26′ | Humor | 44 % | 20 % | 13 % | 6 % |
| 27.5 % | ≈ 32′ | Humor | 36 % | 18 % | 16 % | 2 % |
| 32.5 % | ≈ 38′ | Humor | 34 % | 19 % | 19 % | 2 % |
| 37.5 % | ≈ 44′ | Humor | 36 % | 16 % | 18 % | 2 % |
| 42.5 % | ≈ 50′ | Humor | 39 % | 20 % | 20 % | 5 % |
| 47.5 % | ≈ 56′ | Curiosity | 39 % | 28 % | 24 % | 11 % |
| 52.5 % | ≈ 61′ | Curiosity | 41 % | 31 % | 28 % | 14 % |
| 57.5 % | ≈ 67′ | Curiosity | 45 % | 33 % | 27 % | 15 % |
| 62.5 % | ≈ 73′ | Curiosity | 43 % | 31 % | 24 % | 14 % |
| 67.5 % | ≈ 79′ | Curiosity | 46 % | 38 % | 28 % | 18 % |
| 72.5 % | ≈ 85′ | Tension | 60 % | 54 % | 40 % | 34 % |
| 77.5 % | ≈ 91′ | Tension | 74 % | 70 % | 56 % | 56 % |
| 82.5 % | ≈ 97′ | Tension | 84 % | 83 % | 71 % | 74 % |
| 87.5 % | ≈ 102′ | Tension | 89 % | 88 % | 83 % | 83 % |
| 92.5 % | ≈ 108′ | Disturbing | 75 % | 69 % | 74 % | 65 % |
| 97.5 % | ≈ 114′ | Disturbing | 50 % | 38 % | 50 % | 32 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Patricia Cornell
Ed Wimpiris
Kit Sunderson
Marie Axhelm
Marie Ann Stravros
Details
- Directed by
- Bryan Forbes, Bryan Forbes
- Written by
- William Goldman, Ira Levin
- Type
- Movies
- Released
- 1975
- Runtime
- 117 min
- Country
- United States of America
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
