Shatter
1974 · 90 min · Director: Michael Carreras, Monte Hellman
Show plot summary (may contain spoilers)
Shatter, an international contract killer, has been assigned to assassinate the President of a small African country and collect his fee from a bank in the Far East. On arrival in Hong Kong his life is threatened and when the bank denies all knowledge of payment arrangements, he realises he has been drawn into a dangerous game where there are no rules. Amongst the players are the Mafia and several foreign intelligence services and the stakes being played for are deadly.
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Emotional fingerprint
Shatter (1974) — Movie. Top emotional signals: Tension 35%, Anxiety 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension35%
- Anxiety25%
- Excitement20%
- Surprise10%
- Confusion10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Anxiety, Excitement. Genres: Thriller, Crime, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Anxiety and Excitement. Its IMDb rating of 5.1/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 25 % | 10 % | 20 % | 0 % |
| 7.5 % | ≈ 7′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 12.5 % | ≈ 11′ | Tension | 43 % | 42 % | 40 % | 0 % |
| 17.5 % | ≈ 16′ | Curiosity | 50 % | 48 % | 48 % | 1 % |
| 22.5 % | ≈ 20′ | Tension | 60 % | 59 % | 49 % | 5 % |
| 27.5 % | ≈ 25′ | Tension | 60 % | 57 % | 35 % | 11 % |
| 32.5 % | ≈ 29′ | Relief | 50 % | 43 % | 22 % | 17 % |
| 37.5 % | ≈ 34′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 42.5 % | ≈ 38′ | Relief | 40 % | 23 % | 30 % | 3 % |
| 47.5 % | ≈ 43′ | Curiosity | 40 % | 22 % | 35 % | 2 % |
| 52.5 % | ≈ 47′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 57.5 % | ≈ 52′ | Curiosity | 47 % | 42 % | 35 % | 27 % |
| 62.5 % | ≈ 56′ | Tension | 55 % | 50 % | 38 % | 26 % |
| 67.5 % | ≈ 61′ | Curiosity | 60 % | 56 % | 50 % | 14 % |
| 72.5 % | ≈ 65′ | Tension | 59 % | 57 % | 53 % | 9 % |
| 77.5 % | ≈ 70′ | Tension | 57 % | 57 % | 45 % | 15 % |
| 82.5 % | ≈ 74′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 87.5 % | ≈ 79′ | Sadness | 67 % | 60 % | 35 % | 43 % |
| 92.5 % | ≈ 83′ | Tension | 66 % | 63 % | 36 % | 24 % |
| 97.5 % | ≈ 88′ | Relief | 63 % | 60 % | 25 % | 13 % |
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Korean taekwondo fighter
Hans Leber's Bodyguard
Hans Leber's Bodyguard
Hans Leber's Bodyguard
Hans Leber's Bodyguard
Hans Leber's Bodyguard
Ansabi M'Goya / Dabula M'Goya
Thug / Killer with Bazooka
Tai's Kung Fu Student
Thug / Killer
Details
- Directed by
- Michael Carreras, Monte Hellman
- Written by
- Don Houghton
- Type
- Movies
- Released
- 1974
- Runtime
- 90 min
- Country
- Hong Kong, United Kingdom
- Ratings
- Feels mostly
- Tension
- Data updated
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