The Serpent
2021
Show plot summary (may contain spoilers)
In the mid-1970s Charles Shobhraj is a gem dealer in Bangkok. However with his girlfriend and another accomplice he is responsible for the murders of scores of tourists. His crimes go unnoticed until a Dutch diplomat starts investigating the disappearance of two Dutch tourists.
Emotional fingerprint
The Serpent (2021) — Series. Top emotional signals: Anxiety 30%, Disturbing 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety30%
- Disturbing25%
- Tension20%
- Sadness15%
- Curiosity10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Disturbing, Tension. Genres: Thriller, Drama, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Disturbing and Tension. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Rémi Gires
Details
- Type
- Series
- Released
- 2021
- Country
- United Kingdom
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
